Archives for February 2018

John Steinbeck on Social Media; Trump on Twitter

Image of humor writer Riane Konc

We thought tweets were only for twits like the “Hemingway of Twitter” who currently resides in the White House. Riane Konc, the bright young humor writer seen here who introduced John Steinbeck to the world of social media with great success, has made us think again. In a February 16, 2018 interview about the popularity of her comic blog posts and social-satire tweets, she explained: “To be extremely specific, I think I am at my top functioning when writing a 600-800-word piece where the central joke is something about John Steinbeck. I have, so far, tricked three entire publications into publishing my Steinbeck jokes, which feels way too high.” “Excerpts from Steinbeck’s Novel About the Drought of 2013-2017,” Konc’s pitch-perfect parody of The Grapes of Wrath, appeared at NewYorker.com in July, followed by “A Mommy Message Board Dissects the Ending of The Grapes of Wrath,” a send-up of faux social media communities, at PasteMagazine.com. “Season’s Greetings from the Steinbeck Family!”—Konc’s Christmas Letter from Steinbeck Land (“It has been another dry and brutal year in the Salinas Valley”)—was published in December and reposted at Reddit, where it attracted a thread of clever responses from literate fans (“Our youngest, John Jr., is an exceptional student and was given responsibility for the class pet, a turtle. We were not surprised when it died, for the crops were bad that year.”) A former English teacher who admits that “Twitter has indisputably lowered my quality of living,” Konc says she was gratified nonetheless when “thousands of people on Twitter decided that they were going to riff on a William Carlos Williams poem for several weeks.” Great. But Donald Trump is still riffing, too.

Did Edgar Allan Poe Die for His Sins or for His Art?

Image of Edgar Allan Poe and The Raven

“The Last New World,” Roy Bentley’s poetic tribute to Edgar Allan Poe, is a milestone for Roy and for this site. It is the 60th post from a writer of poetry and fiction in the tradition of John Steinbeck—and the 400th post at SteinbeckNow.com, founded four years ago to celebrate an enduring author who wrote fiction for a living but growing up excelled at writing verse.—Ed.

The Last New World

This time, the magic number for E.A. Poe is thirteen:
the number of insipid whiskeys he has downed today.

A story will circulate, afterwards, that he voted once
too often. A joke to say what its poets are to America.

It’s about the money, his foster father argued. And then
left him nothing. Not one cent. There were other deaths.

And now he prowls the backstreets, spectacularly broke.
Settles against the warmer stones of a building, wanting

not to freeze to death in a world of lit and burning stoves.
Tonight, Baltimore is as frosty as his dead foster father’s

heart. Books of poems and stories are selling but not well.
He has written that he must wait for a well-heeled widow,

any sort of rescue. Says it happened before. The deliverer
a Baltimore woman. At the first success of “The Raven”—

that January in New York, he waved off a tide of street
orphans flapping raffish arms and crying Nevermore!

There he was. Not happy, but ready to be thought so.
There she was. Not an archangel exactly, but smiling.

He’s coatless, a thin shirt no match for autumnal gusts
sputtering gaslamps. If God exists, it isn’t to love poets.

For Deni Naffziger

Library in The Public Recalls Steinbeck’s Greatest Book

Image of 2018 Santa Barbara Film Festival opening night poster

Cain and Abel. Charles and Adam. Cal and Aron. The actor Emilio Estevez and his brother, the actor Charlie Sheen, have the kind of sibling rivalry that John Steinbeck rendered as a curse and an example in East of Eden. So it’s fitting that Emilio Estevez—the Abel in the Sheen family picture—drew inspiration from The Grapes of Wrath when he wrote and directed The Public, the socially conscious feature film in which he also performs, along with Christian Slater, Jena Malone, and Alec Baldwin, another actor with a brother who can be difficult. Set in Cincinnati and released in time for the gala opening of the Santa Barbara Film Festival last week, The Public is about a group of homeless patrons who refuse to leave the library when a cold front fills emergency shelters and makes returning to the streets a deadly proposition. An appreciative review of the movie at Edhat Santa Barbara notes that The Grapes of Wrath “figures prominently as a thematic and quotation reference” and that “the library in itself becomes a character—it disperses information, yet also is full of great works of literature that [ask] us to ponder life, morality, and meaning.” Like food and shelter, keeping the public in public library is a life-and-death matter for such book-minded observers of events as Emilio Estevez—Abel-types who view policemen beating up protestors in cities like Cincinnati as the spiritual sons of Cain-types from places like Salinas and Bakersfield, the bullies with badges who brutalized migrants living in boxes on the outskirts of town and burned The Grapes of Wrath in front of the library when John Steinbeck protested their actions in his greatest book.

 

John Steinbeck in Jeopardy?

Image of Jeopardy game show host Alex Trebek

What does it mean when John Steinbeck is the category but contestants on Jeopardy! don’t know the answers? That was the $64,000 question raised by a recent episode of “America’s favorite quiz show,” hosted since 1984 by Alex Trebek. The quiz show scandals of the 1950s bothered Steinbeck so badly that he used game show rigging as an example of American decline in The Winter of Our Discontent. But the final round questions on December 14, 2017 were about the novels by Steinbeck that had been made into movies, and it was clear from their answers that the contestants on this show hadn’t been coached. All guys and all under 40, they batted their way through sports, food, weather, world facts, and things called David, then stumbled and choked on characters from books by Steinbeck, with slow recall on The Grapes of Wrath and Of Mice and Men and no recall at all of The Red Pony, Cannery Row, or East of Eden. As David Wrobel notes, “it’s a nice confirmation of how deeply embedded Steinbeck is in American culture” when he’s a game show category. It’s less inspiring when the contestants can’t answer the questions. (Skip to 8 in the video to view the final round.)