John Steinbeck Surprises Visitors in Northern Ireland

Image of Anne Hauk and sons at Giant's Causeway in Northern Ireland

Imge of John Steinbeck mural in Bushmill's, Northern IrelandWhile traveling through Northern Ireland recently with her husband Tom O’Connell and sons Wyatt and Henry, Anne Hauk discovered this mural of John Steinbeck peering down from a building in the coastal town of Bushmill’s, three miles from Giant’s Causeway, the family’s destination. Steinbeck’s Ulster forebears emigrated to the U.S. during the 19th century famine that decimated the local population; 100 years later their celebrated grandson could be seen peering up from a glossy American ad promoting Ballantine’s Ale. Steinbeck, a sometimes self-effacing writer with an instinct for gadgets and whiskey brands, would be less surprised but also less gratified than Anne Hauk was by the apparition at Bushmill’s, home of Ireland’s legendary Black Bush label.

Image of Ballantine Ale ad featuring John Steinbeck

A resident of San Francisco, Anne is the daughter of Steve Hauk, an art expert and playwright from Pacific Grove who has written a series of short stories about Steinbeck, Salinas, Monterey, and the bibulous culture of bygone Cannery Row. A Jack Daniels-John Steinbeck fan, Steve identified the source of the image in Bushmill’s as a photo of Steinbeck by Sonya Noskowiak, a member of the San Francisco photography collective f/64. In East of Eden, the autobiographical novel Steinbeck was writing when the Ballantine ad appeared, Steinbeck’s Grandmother Hamilton, a hard-shelled teetotaler, makes her husband’s life miserable with religion. But Sam Hamilton had the last word. A sympathetic character given to imbibing with friends when she wasn’t looking, he is the subject of a 2016 BBC television program on Northern Ireland’s contribution to the culture of the United States. That Steinbeck would toast.

Family travel photos courtesy Tom O’Connell.

 

American Literature Conference Considers Steinbeck in War and Peace

Cover image of John Steinbeck's World War II dispatches

A pair of panels at the annual conference of the American Literature Association, held May 25-28, 2017 in Boston, Massachusetts, examined aspects of John Steinbeck’s writing in times of war and peace. Thomas Barden, professor emeritus at the University of Toledo, discussed race and racism in Lifeboat, Steinbeck’s World War II novella-screenplay, while Douglas Dowland of Ohio Northern University focused on the dispatches and letters Steinbeck wrote from Vietnam 20 years later. Steinbeck’s novels were also the subject of attention by speakers: To a God Unknown (Ryan Schlesinger, University of Tulsa); Cannery Row and Sweet Thursday (Christian Gallichio, University of Massachusetts-Boston), and Of Mice and Men (Lori Whitaker and Mimi Gladstein, University of Texas-El Paso). The focus of four single-author websites devoted to his life, work, and influence, John Steinbeck was featured at annual conferences of the American Literature Association in San Francisco in 2012 and again in 2016.

Coming in July: Short Stories From John Steinbeck’s Life

Image of John Steinbeck in Ballentine beer ad

Steinbeck: The Untold Stories, a book of short stories by Steve Hauk based on the life of John Steinbeck, will be published by SteinbeckNow.com on July 22. The first print project undertaken by the website, it is the product of a two-year collaboration between Hauk—a playwright in Pacific Grove, California—and Caroline Kline, a Monterey artist with a flair for illustration and a feel for John Steinbeck, whose affinity for art and artists began when he was growing up in the Salinas Valley and eventually extended to Europe. Earlier versions of four of the short stories have appeared online at SteinbeckNow.com. All sixteen feature original art work by Kline inspired by Hauk’s fictional rendering of dramatic episodes—some real, others imagined—from Steinbeck’s storied life in Salinas, Pacific Grove, New York, and beyond.

Bill Lane Center at Stanford University Examines John Steinbeck, Environmentalism

Image of Bill Lane

John Steinbeck and the environment was the subject of a May 10 symposium held at Stanford University and attended by students, teachers, and others. Guest speakers for the campus event, sponsored by the Bill Lane Center for the American West, included Susan Shillinglaw, William Souder, and members of the Stanford University faculty. The late Bill Lane—the legendary publisher and philanthropist for whom the Center for the American West is named—was born in Iowa in 1919, the year Steinbeck entered Stanford as a freshman. Lane also attended Stanford before building a lucrative publishing empire around Sunset Magazine, a Lane family enterprise headquartered in Menlo Park, California. A Teddy Roosevelt Republican (like Steinbeck’s parents), Lane was a leader in the movement to protect pristine California wilderness from commercial development by acquiring it privately and putting it into public trust. Follow this video link learn more about John Steinbeck as an environmentalist.

From Travels with Charley to 30 Days a Black Man: Review

Image of 30 Days a Black Man, by Bill Steigerwald

30 Days a Black Man: The Forgotten Story That Exposed the Jim Crow South, a new book by Bill Steigerwald about Ray Sprigle, the white Pittsburgh Post-Gazette reporter who investigated race in America by passing through the South as a black man, is now in bookstores, including the airport shop shown in this photo. Like Steinbeck’s social fiction from the 1930s, Sprigle’s syndicated series on segregation in the South increased understanding when it appeared in 1948, but also met resistance. Steigerwald’s account of the controversy will hold particular appeal for Steinbeck fans familiar with the back story of The Grapes of Wrath, and for sympathetic readers of Travels with Charley, the 1962 work in which Steinbeck touched on Sprigle’s theme. The connections are compelling. Steigerwald is a former reporter for the Pittsburgh Post-Gazette who made the opposite transition from Steinbeck, from newspaper journalist to full-time book author, in his career as a writer. His first book, Dogging Steinbeck, exposed fictional elements in Steinbeck’s account of the picaresque journey that ends dramatically in New Orleans, where white mothers scream at black children and Steinbeck discusses desegregation with a trio of sample Southerners, real or imagined, who typify the racial divide exposed by Ray Sprigle more than a decade earlier.

Are British Newspapers Brighter? The Guardian Shines on Tortilla Flat

Image of John Steinbeck from Rolls Press/Popperfoto/Getty.

Word that readers of England’s Guardian newspaper chose Tortilla Flat and Cannery Row as books of the month for April pleased Steinbeck fans in and outside Great Britain. Steinbeck was an on-and-off-again journalist, and England became his temporary home twice—in 1943, when he was an American war correspondent in London, and in 1959, when he and his wife Elaine spent blissful months in a Somerset cottage that dated from Norman times. The Guardian’s current book-of-the-month blog also brings to mind Steinbeck’s critique of American war reporting from London as lazy, unintelligent, and banal. British newspapers vary in quality, but the best are brilliant in a literary way, and it’s hard to imagine an American paper giving Tortilla Flat the sustained, incisive treatment found in the Guardian blog. But American and British newspapers have one thing in common that Steinbeck, who could be cynical, would probably find unsurprising. The bad ones have caught tabloid fever, and the good ones have taken to asking for contributions to help them stay alive. Check out the Guardian newspaper’s blog on Tortilla Flat for evidence of British brilliance—and the lengths to which impecunity is driving intelligent journalism in Great Britain and the United States.

Guardian newspaper photograph of John Steinbeck from Rolls Press/Popperfoto/Getty.

Birds Do It, Bees Do It, and John Steinbeck Did It, Too

Poster image of Migrations, theme of 2017 John Steinbeck festival

Movement was a major feature of John Steinbeck’s life and writing, and migration—human, animal, vegetable—is the focus of this year’s John Steinbeck festival in Salinas, California, scheduled May 5-7 to coincide with Cinco de Mayo, a favorite fiesta of the country Steinbeck visited often in the 1930s and 40s. Like the author himself, the 2017 John Steinbeck festival is peripatetic, moving between Salinas, Monterey, and Cannery Row, as Steinbeck did when he was writing the California books that made him famous. A three-day pass costs $180 and covers most Friday, Saturday, and Sunday events. A special concert in honor of the late Carol Robles—a frequent flyer and legendary tour planner—is free and features Dixieland music, an appropriate choice for a festival dedicated to John Steinbeck, a traveling man who loved jazz.

Image of 2017 John Steinbeck festival scheduleImage of 2017 John Steinbeck festival scheduleImage of 2017 John Steinbeck festival schedule

The Guardian Tweets Great Britain’s Love for Steinbeck

Image of The Guardian newspaper's truth logo

Book lovers who read The Guardian, the long-lived daily newspaper in Great Britain with an international reach and reputation, picked two distinctively American novels by John Steinbeck—Tortilla Flat and Cannery Row—as this month’s selections for the paper’s reading group. “While Steinbeck himself was a popular choice as an author to help us celebrate the human spirit, winning many nominations for other books,” explained the book editor of The Guardian in a tweet to the group, “this feels like a good result, not least because both novels have their own special kind of glow and warmth.” John and Elaine Steinbeck—avid internationalists who had their pick of pleasant places—spent their happiest year in Great Britain, and literate Brits continue to return the love. “[Steinbeck’s] books still sell in their millions,” The Guardian added. “Here in the UK, Of Mice and Men is a staple of school exams, while The Grapes of Wrath remains a favourite around the world. Almost half a century after Steinbeck’s death, his reputation seems as solid and secure as any writer of his era.” Quite so.

Rousing Post Recalls Cold War, Citing John Steinbeck

Image of Joseph Stalin

Image of A Russian Journal, 1948 work by John Steinbeck and Robert Capa“Revisiting John Steinbeck’s A Russian Journal from 1948”—an impassioned website post dated March 21, 2017—reminds readers that John Steinbeck and Robert Capa overcame opposition from left and right in reporting firsthand on daily life in the Soviet Union under Joseph Stalin following World War II. A publication of the International Committee of the Fourth International, the World Socialist site revives Cold War rhetoric in attacking the forces of fascism, Stalinism, and reactionary capitalism that combined to make the lives of ordinary Russians as miserable as possible before, during, and after the war. The language of the post sounds outdated, but the author’s idea accords with the view of John Steinbeck, whom she credits for accuracy and bravery in the face of threats at home and in Russia. “While the Soviet Union was destroyed more than 25 years ago by the Stalinist bureaucracy,” she writes, “the experiences of the Second World War continue to shape the consciousness of millions in the former USSR. Despite certain limitations, this work by Steinbeck and Capa provides valuable insight into the historical experiences of the working class and peasantry of the former USSR.” Timely praise.

Yale University Brings the Great Depression Home

Composite image of John Steinbeck and Dorothea Lange's "Migrant Mother"

Yale University has launched Photogrammar, a handy interactive website that pairs images of the Great Depression from the Library of Congress photo archive with the photographers who took them and the places where they were taken. Like The Grapes of Wrath, the photographs of Dorothea Lange and others were intended to educate, engage, and convince average Americans that the poor were human, too. Commissioned by the U.S. Farm Security Administration and the Office of War Information and assembled between 1935 and 1945, the 170,000-piece photo archive—like the California migrant camp celebrated by John Steinbeck in The Grapes of Wrath—provides eloquent testimony of government’s power to do good, despite naysayers from the right, when disasters occur. The ambitious Yale University project was funded in part by the National Endowment for the Humanities, a 40-year old federal agency that will disappear if Donald Trump’s proposal to defund the arts and humanities—along with safety-net social programs like Meals on Wheels—is approved by Congress.