John Steinbeck’s U.S.S.R. And U.S.-Russian Relations In Pre-Donald Trump America

Image of John Steinbeck-U.S. Russian relations event poster

Concerns about the future of U.S.-Russian relations under President-Elect Donald Trump have led students of John Steinbeck to reconsider Steinbeck’s views on Russia, and his writing on U.S.-Russian relations, during the presidencies of Franklin Roosevelt, Harry Truman, and John Kennedy. Silicon Valley fans will have a chance this week to learn much more about this timely topic from Susan Shillinglaw, Professor of English at San Jose State University and a leading expert on John Steinbeck’s life and writing, when she gives a one-hour presentation on John Steinbeck and Russia as part of the school’s fall 2016 Scholar Series. Shillinglaw, who is known for her pioneering research and engaging style, is writing a book on the subject and gave a version of the talk in Tbisili, Georgia (part of the former Soviet Union) earlier this year. Her San Jose State University address will take place in Room 255 of the Martin Luther King, Jr. Library in downtown San Jose beginning at 12:00 noon on Wednesday, November 16, 2016. The event is free and open to the public.

Image of Donald Trump“Finding Solace in Steinbeck During the Time of Trump” is worth reading in the aftermath of the November 8 election. Posted on November 11 by Stephen Cooper, a public defender and social progressive, it employs quotations from Susan Shillinglaw’s introduction to the Penguin edition of The Grapes of Wrath, as well as the introduction to Working Days: The Journals of The Grapes of Wrath by Robert DeMott, to explore Steinbeck’s relevance to Trump.–Ed.

Literary Heritage Festival Honors John Steinbeck, Irish-American

Image of Ballykelly, Northern Ireland

Like Ed Ricketts, the friend John Steinbeck mythicized in Cannery Row, Sam Hamilton—the Irish-American grandfather similarly mythologized in East of Eden—is increasingly recognized as a real-life pioneer independently of Steinbeck’s fiction. The father of Steinbeck’s imaginative mother Olive immigrated from Northern Ireland at the age of 17 and settled with his Irish-American wife in San Jose, California, before moving the family to the Salinas Valley, the semi-mythic setting for The Pastures of Heaven, The Long Valley, and most of East of Eden. Hamilton hailed from tiny Ballykelly in County Derry, a place so small that Steinbeck almost missed it when searching for his Irish roots after writing East of Eden. Now the people of Derry are celebrating their favorite grandson in a first-time literary heritage festival devoted to Steinbeck’s life and work. From October 7 to October 19 the Roe Valley Arts and Cultural Centre in Limavady will present “The Human Heart and the Land”—a festival title that fits the author of East of Eden to a tee. A high point for Irish-American fans is the October 13 talk on Derry influences in Steinbeck’s writing by historian Allister McReynolds, the author of Legacy: The Scots Irish in America. Sam Hamilton—the subject of an upcoming BBC segment on the contribution made to American culture by immigrants from Northern Ireland—would be proud.

Cannery Row Foundation Celebrates Frank Wright Day

Image of Frank Wright at Doc Ricketts lab on Cannery Row

The Cannery Row Foundation in Monterey, California will honor Frank Wright, a friend of Ed Ricketts and a member of the group that purchased the legendary “Doc” Ricketts lab, with a day devoted to lab tours open by reservation on October 22. Wright, a retired businessman in Carmel, California, was one of seven people who pooled their resources to buy the property—immortalized in John Steinbeck’s 1945 novel Cannery Row—from the private owner who purchased it after Ricketts was killed in a train accident nearby. Two members of the original group died recently, making Frank Wright, age 97, the sole survivor and witness to a major event in Cannery Row chronology. Having a chance to meet Wright and tour Doc Ricketts’s lab—now owned by the city of Monterey, California—is a once-in-a-lifetime opportunity for fans of Cannery Row, the novel and the place, and Doc Ricketts, Steinbeck’s friend and hero. According to Cannery Row Foundation President Michael Hemp, tours will begin each hour starting at 9:00 a.m. and are limited to groups of 15. Email tours@canneryrow.org stating your preferred tour time (9:00, 10:00, 11:00, 12:00, 1:00, 2:00, 3:00, or 4:00) and the number of persons in your party. A donation of $15 per person is requested by the foundation, a nonprofit educational organization devoted to the preservation of Cannery Row history.

Photo of Frank Wright at Cannery Row lab by Kelli Uldall courtesy Carmel Magazine.

Nick Taylor’s Double Switch

Image of Nick Taylor, pen name T.T. Monday

If you like baseball, detective fiction, and John Steinbeck equally, the Center for Literary Arts at San Jose State University has a double treat for you. Nick Taylor, director of the university’s Martha Heasley Cox Center for Steinbeck Studies, will read from Double Switch, his new baseball whodunnit, at a free event sponsored by the Center for Literary Arts in the Martin Luther King, Jr. Library, starting at 7:00 p.m. on September 22. The hero of Double Switch and The Setup Man, both published under the pen name T.T. Monday, is one John Adcock, an aging pitcher for a fictional San Jose team who risks life and career to catch bad guys and solve murders. Father Junipero’s Confessor, Taylor’s last non-pen name novel, was also a California thriller, based on historical events familiar to John Steinbeck, a history-minded baseball buff who wrote about his fondness for the game in an essay for Sports Illustrated.

Center for Literary Arts Teams Up with Steinbeck Studies

Image of Cathleen MillerSteinbeck admired versatility and advocated collaboration, at least in theory, so it’s likely he’d approve of Taylor’s pen-name persona and protean protagonist. The alliance forged by the Center for Literary Arts and the Steinbeck studies center to further the cause of creative writing at San Jose State University would also please the music-loving author, who married a San Jose native and bought LPs at a downtown record store. Cathleen Miller (left), the nonfiction writer who directs the Center for Literary Arts, explains the fruitful collaboration: “San Jose State University is fortunate to have three established organizations promoting literature on our campus, and they work together to support each other. The Steinbeck Fellows give readings each year at the Center for Literary Arts to benefit the community at large. They also help with another Center for Literary Arts project, our outreach to Mt. Pleasant High School, where the Fellows give talks to students. The Fellows also work with Reed Magazine, the oldest literary journal in the West, founded at San Jose State University in 1867. One of the Fellows also serves as the judge for the magazine’s short story contest, the John Steinbeck Award in Fiction.”

Mexican Independence: A State of Mind for Steinbeck

Image of 2016 Mexican Independence Day in neon

Mexican independence was more than a political movement for John Steinbeck, who traveled frequently to Mexico, studied Mexican history, and once said he wanted to move there to satisfy his curiosity and relieve the monotony of life back in Salinas, California. His novella The Pearl is set in Mexico. So are two films for which he wrote screenplays: The Forgotten Village and Viva Zapata! Sea of Cortez, his and his biologist friend Ed Ricketts’s account of their expedition to Baja, California, is as much about Mexican culture as it is about marine ecology. Steinbeck’s 1935 novel Tortilla Flat, his first commercial success, weaves Mexican characters and cultural traits into the rich tapestry of Monterey, California, a town that in Steinbeck’s time was “Mexican” in the same sense that Salinas was “Anglo.” Writing home from Mexico City in 1935, Steinbeck explained Mexico’s attraction: “It is impossible for me to do much work here. An insatiable curiosity keeps me on the streets or at the windows. Sometime I’ll come back here to live I think.”

Celebrating Mexico in John Steinbeck’s Salinas, California

Mexican independence of spirit drew John Steinbeck and his first wife, Carol, and it called him back repeatedly, usually in times of personal crisis, after their divorce. The Steinbeck expert Susan Shillinglaw—author of Carol and John Steinbeck: Portrait of a Marriage and editor of America and Americans, a Steinbeck anthology—detailed Steinbeck’s lifelong love affair with Mexico in a talk on Friday, September 16, at the National Steinbeck Center in Salinas, California, where she is the director. Timed to coincide with Mexican Independence Day, the event kicked off this year’s Big Read, a cultural-awareness-through-reading project of the National Endowment for the Arts. In the spirit of the day, it included an exhibit of items from the center’s Steinbeck-Mexico collection, Mexican-flavored music and food, and a tour of downtown Salinas, where Mexican-American citizens now comprise a majority of the population.

Image of Susan Shillinglaw and John Steinbeck anthology

Following Mexican Independence Day festivities in Salinas, Shillinglaw led a discussion of Sun, Stone, and Shadows: 20 Great Mexican Short Storiesthis year’s Big Read selection—for a Saturday afternoon crowd at the Monterey Public Library. Local Steinbeck lovers have a long relationship with Big Read, a national program that in its second year featured The Grapes of Wrath, the subject of On Reading The Grapes of Wrath, a superb reader’s guide written by Shillinglaw at the request of Steinbeck’s paperback publisher to mark the novel’s 75th anniversary. Exhausted by the controversy over The Grapes of Wrath—and the decline of his marriage to Carol—Steinbeck organized the 1940 Sea of Cortez expedition that included Easter in the Mexican town of La Paz, whose name embodies the serenity he was seeking. To Steinbeck, Mexican independence was a state of mind—one that Salinas, California is celebrating in this year’s Big Read series. Check out the National Steinbeck Center website for a schedule of continuing events.

In Dubious Battle Motion Picture by James Franco, Steinbeck Fan, Premieres

Image of scene from James Franco's motion picture of "In Dubious Battle"

Image of James FrancoMovie reviews, like book reviews, sometimes influence audience behavior. But as John Steinbeck proved, loyal fans often ignore reviews if they really like an author or an actor. When James Franco’s motion picture adaptation of In Dubious Battle is released in the U.S. later this year, it’s doubtful that fans of Steinbeck or Franco will be affected one way or the other by the breathless reviews and red carpet hoopla In Dubious Battle received at film festivals in September. Reviews were mixed following the movie’s premiere at the Venice Film Festival, but Franco won points for making the first motion picture adaptation of Steinbeck’s 1936 strike novel, and that may be what fans appreciate most when they see the movie for themselves.

Reviews were mixed following the movie’s premiere at the Venice Film Festival, but Franco won points for making the first adapatation of Steinbeck’s 1936 strike novel.

Franco reread In Dubious Battle while rehearsing the role of George for the Broadway stage revival of Steinbeck’s 1937 play-novella Of Mice and Men, which has been filmed twice despite being, in Franco’s view, far less suited for the screen than the earlier book. During a press conference at the Deauville Film Festival following Venice, he explained that he decided to make In Dubious Battle now because “as a storyteller [I knew] it would make a great movie” and because its “central conflict had a topical resonance” he felt audiences would understand. That point seemed lost on critics at the Venice Film Festival: some got facts wrong about the novel; others ignored Franco’s intentions and concentrated on his personality and appearance. The response from critics may be more discerning when Franco’s movie opens at the film festival in Toronto, where reviewers won’t have to explain Steinbeck’s story to readers, or the parallels between Steinbeck’s time and today.

Rebel with a Cause: Filming Faulkner and Steinbeck

Image of James Franco as James DeanWhatever the final verdict on the film, Franco also deserves credit for both directing and acting (as Mac) and for attracting an amazing cast, including Bryan Cranston, Vincent d’Onofrio, Robert Duvall, Ed Harris, Sam Shepard, Selena Gomez, and Natt Wolff. Franco has appeared in dozens of movies, and he’s best known by mainstream moviegoers for playing slapstick characters in Animal House pictures like The Interview. But he has portrayed intelligent characters intelligently in highbrow films and acted and directed in adaptations of novels by Faulkner even harder to film than Steinbeck.

Whatever the final verdict on the film, Franco also deserves credit for both directing and acting (as Mac), and for attracting an amazing cast.

Like Faulkner, Steinbeck learned his limits when he tried to write for Hollywood, and he preferred to leave the job of adapting to specialists like Franco’s friend Matt Rager, the screenwriter Franco turns to when he makes literary movies, including biopics about authors. In several of these films Franco portrays tormented artistes from Steinbeck’s era—including Hart Crane, James Dean, and Alan Ginsburg—about whom Steinbeck could be critical. Franco grew up in Palo Alto, where Steinbeck went to college, and he writes fiction that appeals to the kind of reader who, unlike Steinbeck, is naturally attracted to Crane, Dean, and Ginsburg.. Like these figures, and like Steinbeck, Franco follows his own drummer as an artist, and his fans—like Steinbeck’s—respond in the same spirit. For American fans, Franco’s independence, courage, and passion for Steinbeck are cause enough to celebrate the making of In Dubious Battle, despite ill-informed movie reviews at foreign film festivals.

Steinbeck Event Benefits Cesar Chavez Center

Image of Cesar Chavez

Francisco Jimenez, an award-winning children’s writer and Santa Clara University professor, will receive the John Steinbeck “In the souls of the people” award at a September 28 event benefiting San Jose State University’s Cesar Chavez Community Action Center. The award, which has been given in the past to such writers as Ruby Bridges and Khaled Hosseini, is sponsored by the school’s Martha Heasley Cox Center for Steinbeck Studies. As a boy Jimenez migrated to California from Mexico with his family, whose transient existence he compares to that of the Joads in The Grapes of Wrath. His first book, The Circuit: Stories from the Life of a Migrant Child (1997), won the Americas Award for Children and Young Adults Literature. After receiving his PhD, he joined the faculty of Santa Clara University, his alma mater, where he was CASE/Carnegie Foundation Professor of the Year in 2002. He is an especially sympathetic admirer of Cesar Chavez, the labor and civil rights leader who—with Dolores Huerta, a previous Steinbeck award winner—founded the National Farm Workers Association in 1962. The September 28 benefit, which begins at 7:30 p.m. in San Jose State University’s Student Union Theater, will feature Francisco Jimenez in conversation with Lalo Alcarez, the creator of “La Cucaracha,” the first nationally syndicated political cartoon by a Latino artist in the United States. General admission tickets are $20 and are available from the San Jose State University event center.

Image of Francisco Jimenez award event poster

Thinking of John Steinbeck? Pencil Your Own Blog Post

Image of someone thinking about a blog post on John Steinbeck, who wrote with a pencil

SteinbeckNow.com is the author website with an ambitious mission: to connect John Steinbeck, who preferred pencils, with readers accustomed to computers. Other American authors also have author websites. But most are designed for academics, or tied to venues or foundations raising funds for programs and projects. Steinbeck never wanted an academic title or degree; he even resisted when his home town attempted to name a school after him. Pitches for money made him uncomfortable and commercialism often made him angry. In this same spirit, the only non-academic author website that bears his name is non-commercial and focused on the present, not the past. Content comes from contributors who write for love, not money; new blog posts are published weekly, almost 300 since the site launched three years ago. Contributors, 48 to date, come from the United States, Europe, and Africa as well. Some write poetry, fiction, or drama inspired by Steinbeck’s life or work. A few are specialists who prefer to test their ideas online before writing their article or book. Most are amateurs who participate in Steinbeck’s books as he intended, with imagination. Thinking about John Steinbeck in a fresh or personal way? Put your thoughts in a blog post for the only Steinbeck author website created for readers like you. Content is curated and subject to editing, but turnaround is fast and layout looks appealing. Steinbeck thought imaginatively, then put pencil to paper. Now it’s your turn to write. Getting started is easy: email the idea for your blog post to williamray@steinbecknow.com.


August 25: John Steinbeck, Ruth Comfort Mitchell Event

Logo image of the Los Gatos art and history museum

Susan Shillinglaw, a leading John Steinbeck scholar and speaker, and Peggy Conaway, an expert on the history of Los Gatos, California, will discuss the conflict between Steinbeck and the Los Gatos writer Ruth Comfort Mitchell, who responded to The Grapes of Wrath in 1940 with a novel of her own, during an August 25 presentation at NUMU in Los Gatos, the town where Steinbeck lived when he wrote his 1939 masterpiece. Shillinglaw is the author or editor of books and articles about John Steinbeck, including On Reading The Grapes of Wrath and America and Americans, a collection of Steinbeck’s essays. Conaway, the former director of the Los Gatos Library, is writing a book about Mitchell, a colorful figure who lived in Los Gatos until her death in 1954. The August 25 program will begin at 7:00 p.m. and is free for NUMU members; non-members pay $10 to visit the lively little art and history museum, where “Mitchell vs. Steinbeck”—an exhibit of documents related to Steinbeck, Mitchell, and the controversy over The Grapes of Wrath—continues through October 13. NUMU is located next to the Los Gatos Library on Main Street near two Los Gatos landmarks: Los Gatos High School, built in 1925, and First Church of Christ, Scientist, where Mitchell—an outspoken Republican who wrote poetry, plays, and fiction and loved dogs—taught Sunday School.

Thomas Steinbeck, John Steinbeck’s Son, Dead at 72

Image of Thomas Steinbeck

As reported by the New York Times, John Steinbeck’s surviving son, Thomas Steinbeck, died on August 11 in Santa Barbara, California, from cardiopulmonary disease, the condition that contributed to his father’s death at age 66 in 1968. A second Steinbeck son, John Steinbeck IV, died in 1992. Their mother was John Steinbeck’s second wife; the New York Times obituary detailed the course of legal action brought by Thomas Steinbeck and a niece against the non-blood heirs and literary agents of the author, who left the bulk of his estate to his third wife. While noting Thomas Steinbeck’s strong resemblance to his father, the New York Times story failed to mention the Steinbeckian character and literary quality of the younger Steinbeck’s writing, including novels and stories set on the Monterey Peninsula, the region celebrated in his father’s fiction. Also omitted was Thomas Steinbeck’s generosity to the Center for Steinbeck Studies at San Jose State University, which issued a statement praising his friendship and support. Robert DeMott, the John Steinbeck scholar who served as the Center’s director in the 1980s, recalled the son’s gift of his father’s typewriter and other personal items, as well as his presence at events honoring John Steinbeck over the years. Robert DeMott’s tribute to Thomas Steinbeck will be published in Steinbeck Review.

AP photograph of Thomas Steinbeck by Richard Green