“Proems” by Robert DeMott Inspired by Birds of America

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Up Late Reading Birds of America, a book of “proems” by Robert DeMott, is the latest link connecting John Steinbeck scholars with the life and times of John James Aubudon, the pioneering naturalist and painter whose Birds of America (1827) remains a classic of American ornithology and art history. The author of seminal studies including Working Days: The Journals of The Grapes of Wrath (1990) and Steinbeck’s Typewriter: Essays on His Art (1996), DeMott is the Edwin and Ruth Kennedy Distinguished Professor Emeritus of American Literature at Ohio University, where he taught from 1969 to 2003. Under a Wild Sky: John James Audubon and the Making of The Birds of America (2004), a finalist for the Pulitzer Prize, was the first biography of a major figure written by William Souder, the journalist whose Mad at the World: A Life of John Steinbeck is scheduled for publication by W.W. Norton in October.

Listen as Bob DeMott reads “proetry” from Birds of America:

 

COVID-19 Claims Steinbeck Colleague Terrence McNally

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Terrence McNally, the Tony Award-winning playwright who taught and babysat John Steinbeck’s boys when they were hard-to-manage teenagers, has died in Sarasota, Florida from complications of the COVID-19 virus which shuttered Broadway and much of the world’s business after being declared a pandemic by the World Health Organization. A survivor of lung cancer, McNally, 81, was a 20-something graduate student at Columbia University when Steinbeck family friend Edward Albee recommended him as a tutor and companion for Steinbeck’s sons Thom and John IV during an extended tour of Europe taken by the Steinbeck family 60 years ago. As noted in a March 24, 2020 profile of the playwright published in The Guardian, “McNally’s long career began in 1961 when John Steinbeck asked him to work together on a number of projects, including a musical version of East of Eden” which, like other projects following the failure of the 1955 musical Pipe Dream, never materialized.

Composite image of Terrence McNally courtesy New York Post.

Gavin Jones Revisits Steinbeck@Stanford

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If Gavin Jones had been a professor there 100 years ago, would John Steinbeck have stayed at Stanford University long enough to finish? Probably not, according to Jones, who addressed the fraught subject of Steinbeck@Stanford at the Stanford University Library on January 30. Jones—who holds the Frederick P. Rehmus Family Chair in Humanities in the Department of English—spoke to a capacity crowd of 200 at the evening event, which was sponsored by the Stanford Historical Society and included a pop-up exhibit from the library’s collection of Steinbeck manuscripts and memorabilia. Credited with contributing to the revival of campus interest in Steinbeck, who enrolled intermittently between 1919 and 1925, Jones used examples of Steinbeck’s early writing to show how Stanford’s emphasis on creativity, collaboration, and interdisciplinary learning shaped the character, context, and content of works like To a God Unknown and Cannery Row—manuscripts of which, in Steinbeck’s hard-to-read hand, were on display at the event. Although he left without earning a diploma and refused to accept an honorary degree, “Stanford was always on his mind,” said Jones. Assuming “the mythology of a misfit” early in his career, Steinbeck was a life-long experimenter whose insights into ecology, empathy, and eugenics—all shaped by Stanford—were, Jones added, ahead of their time and set him apart from literary figures like William Faulkner, who dropped out of Old Miss, and Ernest Hemingway, who skipped college to work as a reporter.

Hard News Forecasts Busy Year Ahead for Followers, Fans of John Steinbeck

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John Steinbeck © 1954 Yousuf Karsh

Hard news from three different sources suggests the year ahead will be a busy one for followers, fans, heirs, and collectors of John Steinbeck. Steinbeck at Stanford is the subject of a special January 30 library event at Stanford University (sold-out as of this writing) that includes a lecture by Stanford professor Gavin Jones and an exhibit of items from Stanford’s substantial collection of Steinbeck editions, manuscripts, and memorabilia. Hard on the heels of October’s sale of manuscripts and personal possessions from the estate of Steinbeck’s widow Elaine, by an auction house in San Francisco, New Jersey’s Curated Estates auction service has announced the sale of items—including Steinbeck’s baby hair and confirmation certificate—timed to end on February 27, the author’s birthday. As reported by the Hollywood Reporter, attorneys for the widow of Steinbeck’s son Thom are taking their case for reassigning the movie rights to Steinbeck’s books all the way to the Supreme Court, assuming the high court finds time for issues beyond impeachment and tax returns in the busy year ahead.

Flash! Catholic News Agency Is Up with The Moon Is Down

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Year-end book lists may be boring, but one outlet’s pick for editor’s favorite in 2019 surprised fans familiar with John Steinbeck’s bumpy treatment by religiously-minded reviewers. Catholic News Agency, an affiliate of Eternal Word Television Network in Denver, Colorado, chose The Moon Is Down for reader attention in a December 31 round-up that includes a French priest’s commentary on the Summa Theologica of St. Thomas Aquinas, A Testimonial to Grace by American Cardinal Avery Dulles, and Three to Get Married by “not-so-soon-to-be-blessed Fulton Sheen,” the photogenic philosopher-bishop who hosted the popular TV show Life Is Worth Living in the 1950s. (CAN’s deputy editor-in-chief, Michelle La Rosa, paired Steinbeck’s 1942 novella-play with a 1990 novel, The Remains of the Day, by Nobel Laureate Kazuo Ishiguro.)

Photo courtesy Catholic Herald/Catholic News Agency.

Fall 2019 Steinbeck Review Reconsiders John Steinbeck

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The Fall 2019 issue of the journal Steinbeck Review, a biannual publication of Penn State Press in cooperation with the Martha Heasley Cox Center for Steinbeck Studies at San Jose State University, is now available online and in print. Contents include essays on aspects of John Steinbeck’s life and work as a proto-ecologist and internationalist viewed from a contemporary perspective; the publishing history of Steinbeck’s books in the former Iron Curtain countries of Eastern Europe; and the challenges of teaching Steinbeck to students who may be better versed in the #MeToo movement than the progressive labor movement that preoccupied Steinbeck’s interest and writing in the 1930s. Also included in the Fall 2019 issue are book reviews, announcements, and a summary of Steinbeck news since the summer.

“Put More Steinbeck In” to Make Pipe Dream Succeed

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Did casting cause the closing of Pipe Dream, the Broadway musical created by the dream team of Rodgers and Hammerstein from John Steinbeck’s novel Sweet Thursday? The movie star they counted on to carry the show, Steinbeck’s friend Henry Fonda, couldn’t sing and wasn’t cast. The opera star Helen Traubel couldn’t act but was, and that caused problems they should have foreseen. Urged on by Richard Rodgers, Julie Andrews signed up for My Fair Lady instead of Pipe Dream, proving that some advice is worth following. In a Playbill magazine piece published to coincide with the anniversary of the show’s opening on November 30, 1955, Bruce Pomahac argues that the fault for its failure lay not with its stars but with its creators. Rodgers and Hammerstein were white bread compared with Steinbeck, and their views on acceptability were not in alignment. By playing down “the more prurient aspects” of Steinbeck’s story, “R&H were doing what they did best,” with the predictable result that “Steinbeck felt Rodgers & Hammerstein had, as he put it, ‘turned my whore into a visiting nurse.’” According to Pomahac, the 2012 off-Broadway revival of Pipe Dream by City Center “provided us with the first real shot at what Pipe Dream might have been since it first played on Broadway in 1955.” According to Theodore Chapin, who heads the Rodgers and Hammerstein Organization, the adaptors who are waiting in the wings to bring it back agree on one thing. “Put more Steinbeck in” if you want to succeed on Broadway.

Caricature of John Steinbeck by David Levine.

Before The Grapes of Wrath, Anger in Seminole County

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Richard Grant, the British travel writer who plumbed Steinbeck’s Sea of Cortez in the September 2019 issue of Smithsonian Magazine, now sheds light on The Grapes of Wrath—without mentioning Steinbeck’s name—in the October issue of the same magazine. “Rebellion in Seminole County” recounts the populist revolt that swept through parts of the rural South in the environment and aftermath of America’s entry into World War I. In 1915 there were more registered members of the Socialist Party in Oklahoma than New York, and in 1917 a group of Seminole County, Oklahoma tenant farmers who looked and sounded like Tom Joad joined something called the Green Corn Rebellion, an armed insurrection aimed at local draft boards, big-city bankers, and the interventionist Wilson administration in Washington. Among the organizers who eventually served jail time were two of the uncles of Ted Eberle, a former Seminole County commissioner who was interviewed by Grant for the article. “They thought they could overthrow the government and avoid the draft,” said Eberle, though confiscatory interest rates, plummeting land ownership, and corporate-capitalist war profiteering were also factors in the movement. Steinbeck was a curious teenager who read voraciously and thought deeply when blood was spilled in the name of social justice in Oklahoma 100 years ago. Contemporary readers may be forgiven for making a notional connection between the Oklahoma back story of The Grapes of Wrath and the nugget of Oklahoma history brought to light by Richard Grant in the October issue of Smithsonian Magazine, where a brilliant freelancer has enlightened students of Steinbeck for the second time in two months—this time without even mentioning Steinbeck’s name.

Photograph of Ted Eberle by Trevor Paulhus courtesy of Smithsonian Magazine.

Steinbeck Center in Salinas, California Celebrates Women Workers of Cannery Row

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The history, lives, and contribution of female canning workers during Cannery Row’s 20th century sardine boom will be celebrated in a special exhibit at the National Steinbeck Center in Salinas, California, starting November 15-16, 2019. Created in honor of the 75th anniversary of John Steinbeck’s 1945 novel Cannery Row, the exhibit features a donated collection from the Monterey History & Maritime Museum that includes cans and labels from the assembly line, union booklets, and cannery workers’ uniforms, along with an opening event screening of the 1973 cinematic poem Street of the Sardine, by the French physician-filmmaker Eva Lothar. “Cannery Girls” runs through the second week of January 2020.

Photo from Cannery Row workers exhibit courtesy National Steinbeck Center.

John Steinbeck Sale Another Reminder of Missing History

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Like the recent donation of the S.J. Neighbors collection of John Steinbeck papers to Stanford University, the upcoming sale of John Steinbeck memorabilia by Heritage Auction House in San Francisco serves as a reminder that much remains to be learned about the author’s life and work—and that access to documents is key to discovery. Among the 36 items on offer, spanning 100 years of Steinbeck family history, are the walnut box Steinbeck’s grandfather gave his grandmother, an early manuscript of his novel Tortilla Flat, and the journal he kept when he was writing The Wayward Bus. Also included are letters from President John Kennedy and First Lady Jacqueline Kennedy, the latter in response to questions posed to her by Steinbeck for the biography she asked him to write following her husband’s assassination in 1963. “I enclose a letter I wrote you weeks ago – but hesitated to send. But I don’t have the strength to do it over. In answer to your second letter – I do think about your letters for the longest time. I welcome them but they are not easy to answer,” wrote Mrs. Kennedy in 1964.