TV Tour of John Steinbeck’s USA Free Courtesy of Europe

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John Steinbeck said in 1961 that he wrote Travels with Charley because he’d been in Europe so long he’d lost touch, and sympathy, with America. As shown by John Steinbeck’s USA—the Great Literary Tour series documentary available through April 29 on ARTE TV—America is looking stranger than ever to Europeans in 2019. A Franco-German venture with EU funding, ARTE (Association relative à la télévision européenne) provides serious cultural programming free, without commercials, online and on European television. Narrated in German with English subtitles that probably didn’t mean to be funny, John Steinbeck’s USA combines rare archival footage with interviews, commentary, and video filmed at a variety of venues—a hard shell Baptist church in Brunswick, Vermont; a gun-happy hunter’s house in Deer Isle, Maine; a trailer park home in Middle America—that sync with Steinbeck’s schedule in Travels with Charley. True to the sense and sensibility of Steinbeck’s semi-fictive classic, it’s one literary tour for Europeans that no American with Steinbeck’s anxiety about America’s future should miss.

Video image from John Steinbeck’s USA courtesy ARTE TV

Feeling for John Steinbeck

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John Steinbeck © 1954 Yousuf Karsh

The July-December 2018 issue of Steinbeck Review, delayed in publication on a technicality, marked the 50th anniversary of John Steinbeck’s death with tributes from eminent Steinbeckians like Robert DeMott, who recalled in a personal essay written for the occasion that the first articles he wrote for publication “appeared the month Steinbeck died, in December 1968.” The contribution from Mimi Gladstein, the tenacious Texan who pioneered the comparative study of Steinbeck’s female characters, surveyed the women in Steinbeck’s fiction with a sympathetic eye, from the heroic mother-figure of Ma Joad to the friendly whores of Cannery Row. Assisted by Kathleen Hicks and Katharine Morsberger, the Californian who edited Steinbeck’s screenplay Viva Zapata!—Robert Morsberger—drilled down on the darkness at the core of Steinbeck country as depicted in The Pastures of Heaven and To a God Unknown. Book reviews in the 50th anniversary issue included a sympathetic reading of The Way of Jesus, a spiritual memoir by Jay Parini, the Steinbeck biographer who teaches creative writing at Middlebury College in Vermont. Like DeMott’s essay, Parini’s book suggests that living into one’s 70s puts new light on an ageless author who felt old at 60 and died at 66.

Domestic and Foreign Media Differ About John Steinbeck

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History repeated itself last week in the press coverage around John Steinbeck’s death, 50 years ago, in New York City. A prophet without honor in much of his own country, Steinbeck preferred foreign travel and earned praise for writing with empathy and courtesy about foreign cultures. But the gap in volume and quality between domestic and foreign media coverage of the milestone event was shocking nonetheless. A short item about Steinbeck in The Nation noted the author’s friendship with Adlai Stevenson and identified the two-time presidential nominee as “an American politician,” presumably for the benefit of Americans with short memories. In England, by contrast, Martin Chilton’s profile of Steinbeck for The Independent was the best writing of the year on the author, with the essay on Steinbeck written by Daniel Rey for The New Statesman, comparing Donald Trump to Cyrus Trask, a close second. Press coverage in Ireland included a trio of feature articles about Steinbeck’s Irish roots; Steinbeck’s French connection was the subject of stories in six Paris publications; and an array of newspaper reports appeared in democracies with a similar claim on Steinbeck’s affection, including Italy, Spain, Poland, and Germany. Press coverage in Turkey was surprisingly robust, though the silence from Russia—another authoritarian state with a claim on Donald Trump—was as deafening as the sound of one hand clapping at The Nation, for an author whose death 50 years ago followed the election of Richard Nixon, another Cyrus Trask.

 

Profile by Martin Chilton Best Writing on Steinbeck in 2018

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A December 20, 2018 piece published by The Independent to mark the 50th anniversary of John Steinbeck’s death could be the best writing about Steinbeck in a milestone year for journalism devoted to an author who still makes waves. The compelling profile of Steinbeck by Martin Chilton, culture editor of England’s Telegraph chain, describes “a flawed genius” who was chronically ill, frequently angry, but never inconsequential. “When I met the singer and actor Harry Belafonte,” recalls Chilton, who also writes about sports and music, “he told me Steinbeck ‘was one of the people who turned my life around as a young man,’ inspiring ‘a lifelong love of literature.’” Chilton’s take on Steinbeck’s life turns on milestone events—brushes with death, bouts of depression, divorces and disappointments—whose cumulative weight made Steinbeck “Mad at the World,” the title of the biography by William Souder scheduled for publication by W.W. Norton in 2019. A quotation from our 2015 interview with Souder includes a hyperlink to Steinbeck Now, making 2018 a milestone year for us too.

Photo of Martin Chilton courtesy of the Telegraph newspaper group

Conference Call: “Steinbeck in the Twenty-First Century”

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Planners for a May 1-3, 2019 conference on John Steinbeck’s continued relevance invite academics and others to submit proposals for papers on the conference theme—“Steinbeck in the Twenty-First Century: Identity, Influence, and Impact”—for their consideration. Susan Shillinglaw will give the keynote speech at the three-day, two-night event, which will take place in San Jose, California under the auspices of the Martha Heasley Cox Center for Steinbeck Studies and the International Society of Steinbeck Scholars. Submission guidelines can be found at the conference website along with registration forms, logistical details, and information about subsidies for students whose papers are selected for presentation.

Steinbeck Still Stings on Prince Edward Island

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A December 18, 2018 letter to The Guardian (“Farmers become shopkeepers of crops”), from the son of a farmer in the Canadian province of Prince Edward Island, cites The Grapes of Wrath to complain that Canadian oil billionaire Robert Irving is abusing family farmers to get his way with local government on land use issues benefiting his agricultural company’s bottom line. “As I read with interest the piece by Shelley Glen [“Serving the greater good”] on Irving’s holding the government and farmers of P.E.I. hostage, capitalizing on our government’s fears and because they believe they are indispensable,” writes Bruce Macewen, “I’m reminded of the words of John Steinbeck in his 1939 masterpiece ‘The Grapes of Wrath’ and how chillingly prophetic his words were and are.” The passage from Chapter 19 of Steinbeck’s novel quoted in the letter describes how “farming became industry” in America, dispossessing families of “Irish, Scotch [and] English German” immigrants going back generations, like those on Prince Edward Island. According to a South Florida business website that describes Irving’s family as Maine’s largest landowner and “one of North America’s most secretive business dynasties,” Irving recently paid $11.2 million for an estate in Wellington, Florida, a wealthy enclave located midway between Mar-a-Lago and Belle Glade, a farm community where Big Sugar is king.

Photo courtesy Prince Edward Island Potato Board

Steinbeck Made 1968 Stick

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This AP image from John Steinbeck’s December 23, 1968 funeral, at St. James Episcopal Church in New York, appears in a recent Ravalli Republic photo essay that attempts the question, “What was it about 1968 that shook the foundations of American life, defining the end of one generation and the beginning of another?” Given the competition and the source—a county paper in Hamilton, Montana—it’s remarkable that Steinbeck’s death made the cut for a year characterized by assassination, war, and the election of a president who later resigned in disgrace. Located on the Wyoming border, Hamilton, Montana wasn’t named for the Irish grandfather immortalized in East of Eden. But, like Salinas, it’s the county seat, and it’s about the size Salinas was when Sam Hamilton died and Steinbeck was born. Steinbeck celebrated the beauty of Montana in Travels with Charley, and the life of towns like Hamilton in America and Americans. If his death still sticks in the minds of Ravalli Republic readers in this momentous year, gratitude rather than surprise would be the right response.

 

José Andrés Takes The Grapes of Wrath Literally

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José Andrés, the Puerto Rican-born celebrity chef and restaurateur known for high-end cooking at expensive addresses, says The Grapes of Wrath inspired World Central Kitchen, the nonprofit organization he founded to feed victims of natural disasters like the fires that ravaged northern California in November. In a December 4, 2018 Washington Post interview, he explained his decision to extend the charity’s reach south, to Baja California, to feed refugees from Central America tear-gassed by the U.S. government and living in temporary housing provided by the city of Tijuana. “In the end, it’s very simple,” he said. “Our motto comes from John Steinbeck’s The Grapes of Wrath. ‘Wherever there’s a fight so hungry people may eat, I will be there.’” José Andrés has been nominated for the 2019 Nobel Peace Prize.

Sag Harbor Library Returns John Steinbeck’s Love

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When John Steinbeck and his wife Elaine bought a home in Sag Harbor, New York in 1955, the whaling village on the eastern tip of Long Island had the essential ingredients for happiness the controversial writer missed after leaving Pacific Grove, California—water, history, and a casual lifestyle, like Cannery Row, that allowed for anonymity. New England whaling had gone the way of the California sardine industry long before the couple’s arrival, but weekend fishing was still good and a Sag Harbor tradition of hospitality to authors, starting with James Fenimore Cooper, survived. That particular tradition is on display again through December 20, 2018, the 50th anniversary of John Steinbeck’s death, with a commemoration of Steinbeck’s life by Sag Harbor’s John Jermain public library, named after a local hero from Cooper’s time. Activities include films, library talks, and a digital wall of remembrance for residents who knew or saw Steinbeck when he and Elaine were in town. (Catherine Creedon, the library director, is shown with Preservation Long Island award recipient Zach Studenroth in this April 11, 2018 photograph by Michael Heller, courtesy of the Sag Harbor Express.)

Finding Solace from Vladimir Putin and Trump in Steinbeck

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Donald Trump said weather kept him from wreath-laying duty at the American cemetery outside Paris on the 100th anniversary of the armistice that ended the Great War. But the rain-shy Make-America-Great-Again president managed to keep his Armistice Day date in Paris with Vladimir Putin, the former KGB officer who runs Russia the way Stalin did when John Steinbeck and Robert Capa toured the Soviet Union 70 years ago. Previously undisclosed details of KGB spying on Steinbeck and Capa emerged from a recently declassified document summarized in a Radio Free Europe report that should stir anyone anxious about Russian history repeating itself in the love affair between Vladimir Putin and Donald Trump. (For a dose of relief, see Stephen Cooper’s blog post on finding solace in Steinbeck published by The Hill in 2016.)