Spirit of John Steinbeck Returns to Carmel, California

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John Steinbeck’s feeling for the bohemian culture of Carmel, California waxed and waned between 1930—when he and his first wife met Ed Ricketts at a boozy house party—and 1949, the year he met his future third wife at a private dinner arranged by friends from Hollywood. An upscale enclave midway between Monterey and Big Sur, Carmel became a magnet for artists, authors, and actors at the start of the 20th century, attracting the likes of Jack London, Robinson Jeffers, Charlie Chaplin, and other creative types only slightly less significant than Steinbeck’s wives to the course of his career. John Steinbeck’s spirit revisits Carmel on October 15, when Pebble Beach resident and NPR personality Lisa Ledin dips into the collection of short stories based on Steinbeck’s life, written by Steve Hauk and illustrated by C. Kline, at a public event sponsored by the Carmel, California Woman’s Club. Admission to the 2:00 p.m. reading and reception is free to members and $10 for non-members. Part of Carmel’s charm is the absence of street addresses, but the Woman’s Club is easy enough to identify at the corner of 9th Street and San Carlos and—like friends and future wives—a pleasure to find.

Portrait of John Steinbeck from Impressions of Bohemia by Jack Coughlin.

Review of Short Stories Pairs Steinbeck and Nietzsche

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Steinbeck: The Untold Stories, short stories about John Steinbeck by Steve Hauk, were plumbed and praised in a recent review, written by Stephen Cooper, connecting Steinbeck’s concept of “collective mind” to the writing of Friedrich Nietzsche. First published by the print journal Steinbeck Review, the article has been turning up at various online outlets, including the Los Angeles Post-Examiner, thanks to Cooper’s reputation as a writer, like John Steinbeck, whose words reward reading whatever the format. “Glimpsing Steinbeck’s ‘Collective Mind’ Through Steve Hauk’s Stories” is worth savoring, even if Nietzsche isn’t your cup of tea.

Latest Book About John Steinbeck Honors No One

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The publication of My Life with John Steinbeck, a kiss-and-tell marriage tale from the second wife’s point of view, is likely to raise more dust than it settles in Steinbeck country. Based on an edited transcript by the British reporter who taped interviews with Steinbeck’s second wife, Gwyn Conger Steinbeck, the book has a family-feud slant and an origin story that scholars and survivors have probable cause to challenge. A typescript of the taped interviews, which took place in 1971, has been out since 1976, in the form of a graduate student thesis readily available to researchers at various libraries and Steinbeck centers. Douglas Brown—the journalist hired by Gwyn to ghostwrite her memoir, then fired—was back in Britain when he passed away, in the 1990s, without ever publishing his rewrite of her account of an affair that started when Steinbeck was married to Carol Henning and ended in divorce, legal wrangling, and the birth of sons, now deceased, who both became writers. According to London’s Daily Mail, Douglas Brown passed the manuscript to his daughter before he died. She gave it to an uncle in Wales who showed it to a neighbor named Bruce Lawson, the man whose decision to publish now, 50 years after John Steinbeck’s death and 43 years after Gwyn’s, honors neither.

Funeral Services for Aretha Franklin and John McCain Echoed John Steinbeck

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Bill Clinton spoke, Stevie Wonder sang, and there was dancing in the aisles at Greater Grace Temple for Aretha Franklin’s funeral in Detroit on Friday. That was hardly the style of the service for John McCain held at Washington’s National Cathedral today, however. Barack Obama and George Bush eulogized their former rival with discretion. “Danny Boy” was delivered, with care, by a former opera star. The camera caught dignitaries in the audience—among them a current cabinet member and a former secretary of state—nodding off in their seats. But no one danced at John Steinbeck’s funeral 50 years ago either. Like McCain, Steinbeck ordered a by-the-book Episcopal service for himself before he died. Both of his sons served in Vietnam, like McCain, and he declined to criticize a war he doubted could be won out of the same sense of duty. Yet he was vocal about civil rights, and his death in 1968 followed that of Martin Luther King, Jr., the motivating inspiration for everyone in attendance at Aretha Franklin’s event, and for the most memorable speaker at John McCain’s. He liked opera and jazz equally, and he missed hearing music at the funeral of his friend Adlai Stevenson in 1965. The services for John McCain and Aretha Franklin this week had different beats for sure. But they marched in the same direction—toward hope for justice. They were singing Steinbeck’s song.

Practicing Democracy with The Grapes of Wrath

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Actions that endanger democracy make most Americans mad, so it’s appropriate that the people behind the Practicing Democracy Project chose John Steinbeck’s angriest novel, The Grapes of Wrath, to launch the We the People Book Club, an online discussion group open to anyone with a computer, a passion for democracy, and $24. Per the project announcement, “participants will receive a weekly email with insights on the week’s reading, questions to discuss in an online forum, recommended resources,” and a downloadable guide to the month’s book selection. The project, which has a spiritual as well as a political side, starts this week with The Grapes of Wrath and ends in August 2019 with Zora Neale Hurston’s Their Eyes Were Watching God. If either side appeals to you, get out your credit card and sign up today.

John Steinbeck Returns to Monterey Peninsula College

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Adult education programs at community colleges throughout America aim to serve local interests, and Monterey Peninsula College is no exception. The main campus of the two-year institution—founded in 1947 as part of the California Community Colleges system—is a familiar feature of the pleasing approach to Monterey and Pacific Grove from U.S. Highway 1. John Steinbeck did much of his writing in and about the area, so it’s no surprise that creative writing, creative writers, and Steinbeck’s life play a bigger role at Monterey Peninsula College than on most campuses of similar size. The latest example of this preoccupation is the adult education series Gentrain (for General Education Train of Courses), where Steve Hauk will discuss Steinbeck: The Untold Stories, short stories about Steinbeck’s life, from 1:30 to 2:30 p.m. on Wednesday, September 5, in Lecture Forum 103 at Monterey Peninsula College. Lisa Ledin, the weekend host for KAZU-FM radio, will read from the collection. Admission is free. Campus parking is $3.

Vote Early and Vote Often for The Grapes of Wrath in 2018

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The Grapes of Wrath, the book John Steinbeck finished writing in time to vote for Culbert Olson as Governor of California in 1938, is still running strong with readers, despite naysayers like the Los Gatos Republican who wrote a counter-novel, now forgotten, in 1940. This year The Grapes of Wrath has competition in the race for Great American Read—a project of the Corporation for Public Broadcasting, with support from the Anne Ray Foundation, to encourage reading by allowing anyone over 12 to vote early and vote often for his or her favorite from a list of 100 novels, all in English, that polled well with viewers. The contest would probably appall Steinbeck, a one-man, one-vote Democrat who thought popularity pageants were stupid, especially where writers were concerned. Among the books we know he read was Two Years Before the Mast, a seagoing Grapes of Wrath written in 1840 by Richard Henry Dana, the Massachusetts lawyer and reformer who coined the phrase “vote early and vote often” in a letter about election rigging in his day. Great American Read rules permit repeat voting by the same person and reward social networking to spread the word about books, 21st-century style. So get with the program. Vote early and vote often for The Grapes of Wrath.

 

Trump Relief: Bill Hader’s Riff on Of Mice and Men

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It’s a shame John Steinbeck didn’t live to see Saturday Night Live. The author of Of Mice and Men died in December 1968, six weeks after Richard Nixon was elected President; SNL debuted in 1975, fourteen months after Nixon resigned in disgrace. Much about Nixon’s America depressed Steinbeck, including Nixon’s party, but he kept his sense of humor and he understood the medium of television, Nixon’s undoing against Kennedy in 1960. If Steinbeck had lived longer he might have enjoyed SNL’s blend of comic relief and left-leaning satire, given his preference for politicians like Kennedy and Stevenson, the witty Democrat from Illinois defeated by Eisenhower in 1952 and 1956. Steinbeck critiqued Eisenhower’s thought (conventional), syntax (chaotic), and reading (cowboy fiction), so it’s easy to predict his reaction today to a worse-than-Eisenhower type like Donald Trump, or Rick Perry—brilliantly impersonated by Bill Hader, riffing on Of Mice and Men in this SNL sketch about the 2012 Republican candidate debate at which the man Trump made Secretary of Energy couldn’t remember the name of the federal department he now heads. If you need comic relief from Trump-induced depression, watch Bill Hader’s Rick Perry channel Lennie, with Mitt Romney as George at his side. Imagine John Steinbeck at your side and you’ll both die laughing.

May 1-3, 2019 Conference to Celebrate Steinbeck Now

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In observance of the anniversary of John Steinbeck’s death on December 20, 1968, the International Society of Steinbeck Scholars invites proposals for papers exploring Steinbeck’s continued relevance, 50 years later, to be delivered at the organization’s May 1-3, 2019 conference at San Jose State University. “Steinbeck and the 21st Century: Identity, Influence, and Impact” is sponsored by the Martha Heasley Cox Center for Steinbeck Studies and will take place at the Martin Luther King, Jr. Library in downtown San Jose, California. According to Nick Taylor, the center’s director, proposals for papers are welcome from a wide variety of disciplines, including literary and cultural studies as well as ecology and pedagogy, and may encompass the comparative examination of Steinbeck and 21st century authors, issues surrounding the reception and translation of Steinbeck’s books in the 20th century, and commentary on Steinbeck’s writing from the perspective of movements like #MeToo, Black Lives Matter, and organized resistance to the mistreatment of migrants and refugees in the United States, Europe, and the Middle East. Also of interest is how classroom teachers today use Steinbeck to engage students on social issues, popular culture, and artistic expression. Travel funding is available for students whose papers are accepted. For details visit the conference web page.

As of today’s post we are temporarily suspending weekly posts at SteinbeckNow.com to pursue a print project requiring attention. We will continue to respond to email inquiries, curate comments, and post news about opportunities like this one, and we will review guest-author submissions in the order they are received when we resume weekly publication. Thank you for your understanding and cooperation.—Ed.

Susan Shillinglaw Leaving National Steinbeck Center

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Susan Shillinglaw, a leading figure in Steinbeck studies for three decades, has resigned as Director of the National Steinbeck Center in Salinas, California, effective June 15. The Pacific Grove resident and San Jose State University English professor took over management of the organization three years ago, guiding the transition to a new landlord and reviving the annual Steinbeck Festival, an anticipated event in Steinbeck’s home town since 1981. Built on Main Street in downtown Salinas, the center contains an archival collection and space for exhibitions, meetings, and educational programs.

The author or editor of numerous books and articles—and an internationally acclaimed speaker known for style and substance—Susan Shillinglaw has co-directed six National Endowment for the Humanities interdisciplinary summer institutes for high school teachers in Pacific Grove, including one this summer. For 18 years she directed the Martha Heasley Cox Center for Steinbeck Studies at San Jose State, where she began her teaching career in 1984. She transitioned to half-time faculty status when she accepted the position in Salinas, and she will teach courses in Steinbeck and creative nonfiction in the fall.

Since opening its doors 20 years ago, the National Steinbeck Center has had to overcome challenges of staff turnover and financial troubles typical of small, non-urban museums burdened with start-up debt and dependent on local philanthropy and tourism for survival. The building was sold to California State University, Monterey Bay as a partial solution to the problem, but museums in this era must also offer new kinds of programs and shift the ways exhibits are structured—activities begun in earnest under Susan Shillinglaw’s leadership.