Celebrate! Western Flyer Returns to Monterey Bay

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Western Flyerthe 77-foot fishing boat John Steinbeck and Ed Ricketts took on their famous 1940 trip to the Sea of Cortezrecently returned to Monterey Bay after nearly a decade of restoration in Port Townsend, Washington. Built in 1937 to serve the commercial fishing industry and presently moored in Moss Landing, California, the Western Flyer will be welcomed back after a 75-year absence on November 4, 2023, with a day of family-friendly festivities around Cannery Row and Monterey’s Old Fisherman’s Wharf. Plans include live music, science and art activities, giveaways, merchandise for sale, and plenty of photo opportunities. The Western Flyer will then return to a life of research and education, and once again ply the waters of Monterey Bay and beyond. All this is the result of the vision of the marine biologist-businessman John Gregg, founding board member of the nonprofit Western Flyer Foundation.

Gregg purchased the boat, which had sunk several times over the decades, in 2015, launching the Western Flyer Foundation to save the severely damaged vessel and recruiting the Port Townsend Shipwrights Cooperative for the job. After eight years of labor, the vessel recently received a Classic Boat Award for its restored presence and sea-worthiness. Though the Western Flyer “gained notoriety from its research trip with John Steinbeck and Ed Ricketts, it’s had a long and storied past as a fishing boat,” Gregg said. “Now restored with a hybrid diesel-electric engine and state-of-the-art marine lab, the Western Flyer symbolizes a bridge linking Monterey Bay’s commercial fishing heritage with its leadership in marine science and education.” Gregg said the foundation’s vision is for the revitalized Western Flyer to stir curiosity by “connecting art and science in the spirit of John Steinbeck, Ed Ricketts, and their journey [recounted by Steinbeck and Ricketts in Sea of Cortez, 1941]. The foundation’s tide-pooling, classroom teaching, and on-board programs will introduce students to a renowned coastal ecosystem that many have experienced only indirectly, or not at all.”

November 4 activities begin at 11:00 a.m. and include a welcoming ceremony at the end of Old Fisherman’s Wharf, a boat parade, and tours of the Western Flyer, all free. On hand for the festivities will be the Alaska artist and Guggenheim Fellow Ray Troll, who created the colorful mural panels at the former facility of the National Oceanographic and Atmospheric Administration (NOAA) overlooking Steinbeck’s Great Tide Pool in Pacific Grove. The Center for Ocean Art, Science and Technology (COAST)—a nonprofit organization, like the Western Flyer Foundation—seeks to preserve Troll’s work while converting the NOAA building into a research center blending art and science. A fan of John Steinbeck and Ed Ricketts, Troll put the Western Flyer in the picture when he painted the historic mural.

Photo of Western Flyer courtesy National Fisherman magazine.

Saved! John Steinbeck’s Retreat in Sag Harbor

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Thanks to local support and international interest, the waterfront property in Sag Harbor, New York, from which John Steinbeck set forth in Travels with Charley joins three properties in California which were similarly associated with Steinbeck’s life and writing, and similarly saved for posterity through the luck and pluck of community volunteers. On March 31, a nonprofit group called the Sag Harbor Partnership purchased the 1.8-acre Steinbeck property on Long Island Sound—the modest residence, the guest cottage and boat dock, and Joyous Garde, the 100-square foot writer’s work retreat built by Steinbeck—for $13.5 million.

Like the Steinbeck family home in Salinas, like Ed Ricketts’s lab on Cannery Row and the fishing vessel the two men sailed in Sea of Cortez, the Sag Harbor compound where Steinbeck wrote his final novel, The Winter of Our Discontent, will foster learning and creativity. Under local nonprofit management since the 1970s, the Steinbeck House in Salinas offers daily lunch and venue tours. Doc’s Lab—gifted to the City of Monterey 25 years ago by Ed Larsh—incubated the Monterey Jazz Festival. Restored and rehabilitated after being rescued from the waters of Port Townsend, Washington, the Western Flyer will return to Monterey Bay in 2023 for use as a mobile marine biology classroom. One vision is to sail the boat on learning excursions through the Panama Canal to Sag Harbor, connecting the western and the eastern spheres of John Steinbeck’s personal and literary worlds.

John and Elaine Steinbeck purchased the Sag Harbor home in 1955 and used it part-time until his death in 1968. Subsequently the property was deeded to the trust established by Steinbeck’s widow, who died in 2003. The secluded Suffolk County property was listed for sale in February 2021 for $17.9 million. Almost two years later to the day, the Sag Harbor Partnership completed its purchase for $13,5 million, obtaining an additional commitment for the $10 million endowment needed to maintain the property, fund a writer’s residency program, and support community outreach.

As the two-year delay showed, the asking price was too high, and that gave the citizens of Sag Harbor time to act. In Steinbeck’s terminology, when these networks organized and moved into action they became a phalanx, a coming together of concerned individuals as a single social entity, one powerful enough to protect their environment from external threat—preventing demolition and redevelopment by securing the property for noncommercial use. Steinbeck saw the phalanx as an unstoppable force, moving in one direction with a mind and a will of its own. Sag Harbor proved his point.

Fortune helped pave the way. Not long ago, the State of New York empowered Suffolk County to impose a two percent tax on real estate transactions, with the funds collected to be managed by a Community Preservation Fund in support of projects that contribute to the physical, social and cultural health of the area. In Suffolk County, these funds have helped acquire open space, parkland, and historic properties—like the Steinbecks’—through use and conservation easements. The neighboring Town of Southhampton contributed $11.2 million from its portion of the Community Preservation Fund, the Sag Harbor Partnership raised $2.3 million in private donations, and the State made up the $750,000 difference to clinch the deal.

Parallel to this effort, the organizers considered how best to care for the property and create programs consistent with Steinbeck’s legacy and Sag Harbor’s culture, which the Steinbecks loved. Steinbeck’s adopted town has a rich literary history, and creating a working retreat for writers—as Joyous Garde was for Steinbeck—became the the primary focus. Inquiries about managing the property were made to private and public institutions, but found limited interest. Then a major donor suggested going to “where the papers [of Steinbeck’s work] are located.” Thus the search for an academic partner led to the University of Texas in Austin, where Elaine Steinbeck was born. After her husband’s death she contributed a large tranche of material to UT’s Harry Ransom Center, an internationally recognized repository of materials on American and European writers. Attachment to place is a powerful force in Steinbeck’s fiction, and several of the people associated with the Elaine Steinbeck Trust live in and around Austin. Like her, they attended UT, and their university came on board. UT’s Michener Center for Writers, which is named for James Michener, will operate the Sag Harbor writers program.

In a miraculous period of 24 months, the Sag Harbor Partnership organized its forces, negotiated the purchase price, and (in the words of SHP’s March 31 press release) helped insure “the future of Steinbeck’s legacy and his contributions to our cultural heritage.” As Susan Mead, SHP’s co-president, noted, “The Steinbecks loved their Sag Harbor place and were involved in Sag Harbor’s village life.” Comparable dedication by community volunteers led to the purchase of Steinbeck’s childhood home from private owners almost 50 years ago. The stately old Victorian has became a local landmark, but one with national and international significance. John and Elaine’s modest little bungalow in Sag Harbor has a similarly bright future.

Photo of Steinbeck’s’ Sag Harbor home courtesy Forbes.

Celebrating Woody Guthrie’s Grapes of Wrath Connection

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“Woody is Just Woody,” an exhibition expressing the inspired connection between the author of The Grapes of Wrath and the folk singer Woody Guthrie, is on display through August 25, 2023, in the fifth floor art gallery of the Martin Luther King, Jr. Library at San Jose State University. Organized by Peter Van Coutren, curator of San Jose State’s John Steinbeck collection, it features sculpture by Lew Aytes (see photo) and poster-size covers from foreign-language editions of John Steinbeck’s 1939 masterpiece. The exhibition is open to the public from 11:00 a.m. to 6:00 p.m. weekdays and from 1:00 p.m. to 5:00 p.m. on Saturdays.

San Jose State Hosts Steinbeck Conference

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Reading, teaching, and translating Steinbeck, the subject of San Jose State University’s first Steinbeck conference since 2019, attracted a reported 30 attendees to the downtown San Jose, California campus, March 22-24, 2023. Many if not most papers and panelists were virtual, and at least one speaker was pre-recorded, giving the gathering a sketchy, spare feel. But a pair of in-person presentations, accessed by jockeying between two concurrent sessions, stimulated conversation and served as a reminder of conferences past to those who remembered 2013 and 2016. Susan Shillnglaw (in photo) profiled Toni Jackson, Ed Ricketts’s live-in partner and a familiar figure around 1930s and ’40s Pacific Grove who, like Steinbeck’s spouse Carol Henning, served as frequent typist and sometimes-editor in the relationship. Carrying on the tradition of research on Steinbeck by readers outside the academy, Daniel Levin—a chemist by training—traced the literary and theological lineage of timshel, the free-will-vs.-fate concept borrowed by Steinbeck from Talmudic Judaism in East of Eden.

For John Steinbeck, the Rains in Pajaro Hit Home

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The word pajaro means bird in Spanish, and Central California’s Pajaro Valley may have inspired the setting of John Steinbeck’s 1936 American strike novel, In Dubious Battle. But the town of Pajaro, California, in Monterey County—the setting of so much great literature by Steinbeck—seems closer in spirit these days to the rained out world of the Joads at the end of The Grapes of Wrath.

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In these tough times for Pajaro, it’s good to remember that the artist who painted the cover image of Steinbeck’s 1939 novel was born there in 1889. His name was Elmer Stanley Hader, and, like Steinbeck, he knew hard times in California. He survived the 1906 San Francisco earthquake and fire, and he was alert to the field labor strife dramatized in Steinbeck’s fiction. His portrait of the Joad family—tired and tattered, overlooking California for the first time—takes its power, like Steinbeck’s masterpiece, from its empathy.

elmer-stanley-hader-berthaLike Steinbeck, Hader moved on from Monterey County. He pursued his art career, first in San Francisco, then in Paris and New York. His illustrations appeared in national magazines including Cosmopolitan, and he collaborated with his wife Berta in creating more than 30 children’s books and in illustrating many others. Together they won the coveted Caldecott Medal for their 1949 children’s picture book, The Big Snow. His painting for the Grapes of Wrath cover eventually sold for more than $60,000. He died five years after Steinbeck, in 1973. Both men passed away in New York, but neither forgot his California roots. Each would have profound sympathy for Pajaro today, flooded out by The Big Rain of 2023.

Lead image courtesy Los Angeles Times. For more on the subject, read “How a long history of racism and neglect set the stage for Pajaro flooding” in the paper’s March 20, 2023 edition.

Jacqueline Woodson to Receive John Steinbeck Award on October 18, 2022

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Together with the Martha Heasley Cox Center for Steinbeck Studies, the Center for Literary Arts at San Jose State University will present the 2022 John Steinbeck “In the Souls of the People” Award to Jacqueline Woodson, author of the 2014 memoir novel Brown Girl Dreaming. The award is given to writers, artists, thinkers, and activists whose work captures Steinbeck’s empathy, commitment to democratic values, and belief in the dignity of people who by circumstance are pushed to the fringes; and the phrase “in the souls of the people” comes from Chapter 25 of The Grapes of Wrath. Woodson is the recipient of a 2020 MacArthur Fellowship and the 2020 Hans Christian Andersen Award. Brown Girl Dreaming, a New York Times bestseller, won the National Book Award, the Coretta Scott King Award, a Newberry Honor, and the NAACP Image Award. Woodson is also the author of Red at the Bone, a New York Times bestseller; Another Brooklyn, a 2016 National Book Award finalist; and books for young readers including Before the Ever After, The Year We Learned to FlyThe Day You Begin, and Harbor Me. The October 18, 2002 awards ceremony will take place at 7:00 p.m. in the Student Union Theater on the San Jose State campus in downtown San Jose, California. During the event Woodson will have an onstage conversation with Michele Elam, the William Robertson Coe Professor of Humanities at Stanford University. The 7:00 p.m. event is free.

Propose a Paper or Panel for March 22-24, 2023 Steinbeck Conference at San Jose State

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San Jose State University invites proposals for papers and panels on reading, teaching, and translating John Steinbeck for the Steinbeck conference to be held March 22-24, 2023 at San Jose State. Said Daniel Rivers, assistant professor of American studies and literature and newly appointed director of the university’s Martha Heasley Cox Center for Steinbeck Studies: “We invite proposals from varied disciplines and critical frameworks, including but not limited to literary/cultural studies, comparative literature, media studies, secondary and post-secondary education, psychology, political science, sociology, ecology, and marine biology. Potential topics include comparative studies of Steinbeck and post-Steinbeck writers, issues in translating Steinbeck’s works into other languages, stage/film/video adaptations, and approaches to teaching Steinbeck in contemporary classrooms.”

Email a 300-word or less abstract of the paper you propose to present, along with your biography of 200 words or less, to Steinbeck@sjsu.edu with the subject line “Steinbeck Conference 2023 Submission, [your last name].” If you are interested in suggesting a pre-constituted panel, workshop, or roundtable session for the conference, note the title, the format, and the names of your co-presenters in your online submission to the same address. If you are interested in soliciting participants for your proposed panel, workshop, or roundtable session, email your topic and request with the subject line “Panel CFP Steinbeck Conference 2023.” Your topic and invitation will be shared with the center’s mailing list. The deadline for all submissions is November 15, 2022.

Above: John Steinbeck caricature by David Levine.

Zoom into John Steinbeck’s 120th Birthday This Tuesday

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Sunday, February 27, 2022, marks the 120th anniversary of John Steinbeck’s birth in Salinas, California. To celebrate this occasion, the Monterey Public Library and the Martha Heasley Cox Centerfor Steinbeck Studies at San Jose State University are collaborating on a birthday conversation that brings together a group of established and emerging Steinbeckians. Join us on Tuesday, February 22 at 4:30 p.m. Pacific Time for a celebration featuring Susan Shillinglaw (author of Carol and John Steinbeck and A Journey into Steinbeck’s California); Robert DeMott (author of Steinbeck’s Typewriter: Essays on His Art); Keenan Norris (director of San Jose State University’s Steinbeck Fellows Program); and Daniel Rivers (director of the Martha Heasley Cox Center). Along with discussing favorite moments and persistent questions from Steinbeck’s work, the panelists will reflect on the author’s creative legacy and enduring relevance for the 21st century. This event takes place on Zoom, and registration closes an hour prior to the program. The Zoom access information will be sent to registered participants shortly before the program begins. Use of a video camera and level of participation are at your discretion. You can also use Zoom’s phone feature to call and listen in to the conversation.

 

Native Grandson 2022: County Londonderry Celebrates John Steinbeck

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John Steinbeck’s blarney-free critique of Depression-era California and post-war America continues to engage fans, scholars, and presenters in disparate places, from Steinbeck’s native state to his grandfather Samuel Hamilton’s Northern Ireland. After noting that Steinbeck visited Hamilton’s birthplace in rural Limavady in 1952, a January 28, 2022 online article entitled “John Steinbeck Festival coming to Roe Valley Arts and Cultural Centre” offers a month-long schedule of local activities kicking off on February 5 and including weekly lectures and concerts, Dust Bowl photography, and a book cover design contest for schoolchildren reading Steinbeck for the first time. Articles in Steinbeck Review on “Dust Bowl Refugees as Reference for Today,” by Kimberly Wright, and “Travels with Charley as American Picaresque,” by Carter Davis Johnson, demonstrate Steinbeck’s enduring attraction for bright young scholars turned on to Steinbeck by their own early reading. Wook-Dong Kim’s essay on “John Steinbeck and Korean Connections” reminds us that Steinbeck’s sympathies and appeal were always international, and Robert DeMott’s review of Chasing Steinbeck’s Ghost—Bill Steigerwald’s rigorously researched correction of the chronology of Travels with Charley—shows that investigation need not be limited to scholars where John Steinbeck is concerned.

Salinas Festival Celebrates Close Mexican Connection

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John Steinbeck was no accidental tourist when it came to the Republic of Mexico. Although he later expressed a preference for the mother culture of Spain, he traveled to Mexico early and often for personal and professional purposes: for escape and recovery, for literary and film material, and (some speculate) for at least one abortion for at least one of his three wives. Current criticism faults him for the absence of Mexicans, blacks, and other non-white characters in his 1939 protest novel The Grapes of Wrath, but four works from the following decade—The Forgotten Village and Sea of Cortez (1941), The Pearl (1947), and Viva Zapata (1952)—reflect Steinbeck’s fascination with the history and people of a country that was less than a day’s drive but utterly different from his hometown of Salinas, California. On October 2-3, 2021, the National Steinbeck Center in Salinas will celebrate Steinbeck’s Mexican connection with a schedule of in-person and online activities packaged and presented as Steinbeck and Mexico and priced at $20 a day ($17 for seniors). In addition to bingo, mural painting, and movies, the 40th annual Steinbeck festival includes online presentations by Richard Astro and Donald Kohrs on the writing of Sea of Cortez and by Vincent Parker on teaching Steinbeck in the 21st century. (The annual Steinbeck festival in Salinas used to take place in the spring to overlap with the triennial Steinbeck conference at San Jose State University, where discussion has begun about convening another conference in 2022.)