Steinbeck Center in Salinas, California Celebrates Women Workers of Cannery Row

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The history, lives, and contribution of female canning workers during Cannery Row’s 20th century sardine boom will be celebrated in a special exhibit at the National Steinbeck Center in Salinas, California, starting November 15-16, 2019. Created in honor of the 75th anniversary of John Steinbeck’s 1945 novel Cannery Row, the exhibit features a donated collection from the Monterey History & Maritime Museum that includes cans and labels from the assembly line, union booklets, and cannery workers’ uniforms, along with an opening event screening of the 1973 cinematic poem Street of the Sardine, by the French physician-filmmaker Eva Lothar. “Cannery Girls” runs through the second week of January 2020.

Photo from Cannery Row workers exhibit courtesy National Steinbeck Center.

Steinbeck at War Brings Wrobel to Salinas, California

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David M. Wrobel—Dean of the College of Arts and Sciences at Oklahoma University, President-Elect of the Western History Association, and Visiting Scholar at the National Steinbeck Center—recently spent a busy week in Salinas, California speaking to audiences young and not-so-young about John Steinbeck’s war reporting in World War II and, 20 years later, in Vietnam. On September 5 Wrobel explored the question of the century—“Who was John Steinbeck?—with an energetic group of fifth and sixth graders from schools named for famous figures, including John Steinbeck, Cesar Chavez, and Oscar Loya, the former superintendent of schools for the district settled by “Okies” and others, east of Salinas.  On September 6 he met with John Wood’s English class at Everett Alvarez High School, then led discussion of Steinbeck’s controversial career as a war correspondent at the National Steinbeck Center—a presentation which he repeated the following day at the Monterey Public Library. Wrobel holds the Merrick Chair in Western American History at the University of Oklahoma, but he discovered Steinbeck as a British school boy growing up in London council housing. Though an Englishman explaining Steinbeck to Californians might sound a bit like bringing coals to Newcastle, Wrobel’s enthusiasm is infectious, as shown in this photo of his reception by American school children assembled for the purpose in Steinbeck’s home town.

Exhibit, Conference Show Steinbeck is in Good Hands

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The local link between Ludwig van Beethoven and John Steinbeck, a man who loved Broadway but preferred Bach, gave minds at San Jose State University—where the Martha Heasley Cox Center for Steinbeck Studies shares space with the Ira F. Brilliant Center for Beethoven Studies—the bright idea for The Art of Biography, an exhibit of images and objects from the two collections that runs through July 6, 2019 on the fifth floor of the Martin Luther King, Jr. Library. Timed to coincide with the 2019 Steinbeck conference, held May 1-3, the exhibit’s Steinbeck content was created by Alexandra Mezza and Allison Galbreath, graduating students in the MFA creative writing program directed by Nick Taylor, who also serves as director of the Steinbeck center.

The local link between Ludwig van Beethoven and John Steinbeck gave San Jose State University the idea for an exhibit of images and objects from the two collections.

Like this exhibit photo of Elaine Steinbeck, taken at Cannery Row in 1975, the 2019 conference field was dominated by women with a special touch for John Steinbeck. Speakers included Mary Papazian, the Milton scholar who became San Jose State University’s president since the last Steinbeck conference was held three years ago; Noelle Brada-Williams, the new chair of the university’s English department; Susan Shillinglaw, English professor and author of the artful biography, Carol and John Steinbeck: Portrait of a Marriage; Marisa Plumb, also of the English department; Barbara A. Heavilin, professor emeritus at Taylor University and editor-in-chief of Steinbeck Review; Mimi Gladstein, the University of Texas, El Paso, superstar who writes about Steinbeck, Hemingway, and Faulkner’s women; Cecilia Donohue, a retired professor of English at Madonna University; Elisabeth Bayley, who teaches at Loyola University in Chicago; Aya Kubota, a professor at Japan’s Bunka Gakuen University; Lori Newcomb, a teacher at Wayne State College; Naama Cohen of Tel Aviv University; Danica Cerce, a member of the faculty of the University of Ljubljana in Slovenia; Debra Cumberland, a teacher at Winona State University; Robin Provey, a graduate student at Western Connecticut State University; Jennifer Ren, an entering law student at the University of Houston; and Audry Lynch, the veteran educator from Boston who had the unusual experience of interviewing each of Steinbeck’s three wives in California.

Like the exhibit photo of Elaine Steinbeck taken in 1975, the 2019 conference field was dominated by women with a special touch for John Steinbeck.

Women also filled the stage for after-hour attractions during the conference. Three 2018-19 Steinbeck Fellows in Creative Writing at San Jose State University—Katie M. Flynn, Kirin Khan, and Christine Vines—read from their fiction on opening night. When the formal program closed on Friday, 20 of 50 conference attendees boarded the bus for Salinas, where Susan Shillinglaw led a look-and-listen tour that included the Red Pony Ranch, the Steinbeck House, and the National Steinbeck Center, where Michele Speich—a nonprofit professional from Monterey—recently succeeded Shillinglaw as the Salinas organization’s executive director. Steinbeck House dinner was served by members of the Valley Guild, the group of mostly female volunteers who bought the home in the 1970s and pay the bills by running the restaurant and encouraging donations. If Martha Heasley Cox had such women in mind for the future of John Steinbeck’s legacy when she started the center that bears her name, also in the 1970s, today’s results would have to make her happy.

Photograph by John Bryson courtesy of the Martha Heasley Cox Center for Steinbeck Studies.

William Souder Booked for 2019 Steinbeck Conference

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William Souder—the Minnesota journalist whose book-length lives of John James Audubon and Rachel Carson established his reputation as an ecology-minded biographer with a nose for the human back story—will discuss the art of biography, and his upcoming life of John Steinbeck, as featured speaker for the 2019 International Steinbeck Conference, May 1-3, at San Jose State University. “The Subject is Steinbeck: Thoughts on the Theory and Practice of Biography” may sound academic as a title for the talk, but Souder as a speaker rarely does—as demonstrated by this 2016 interview, in which he explains how writing about Audubon, Carson, and a plague of frogs led him to undertake the first major life of Steinbeck in 25 years. Scheduled for publication in the summer of 2020, when environmental collapse and humanitarian crisis are destined to dominate the most divisive presidential election news cycle since 1968, Souder’s biography of an author who stayed “angry at the world” for most of his life is likely to make literature newsworthy again by connecting books, as Steinbeck did, to burning issues.

Conference Call: “Steinbeck in the Twenty-First Century”

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Planners for a May 1-3, 2019 conference on John Steinbeck’s continued relevance invite academics and others to submit proposals for papers on the conference theme—“Steinbeck in the Twenty-First Century: Identity, Influence, and Impact”—for their consideration. Susan Shillinglaw will give the keynote speech at the three-day, two-night event, which will take place in San Jose, California under the auspices of the Martha Heasley Cox Center for Steinbeck Studies and the International Society of Steinbeck Scholars. Submission guidelines can be found at the conference website along with registration forms, logistical details, and information about subsidies for students whose papers are selected for presentation.

May 1-3, 2019 Conference to Celebrate Steinbeck Now

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In observance of the anniversary of John Steinbeck’s death on December 20, 1968, the International Society of Steinbeck Scholars invites proposals for papers exploring Steinbeck’s continued relevance, 50 years later, to be delivered at the organization’s May 1-3, 2019 conference at San Jose State University. “Steinbeck and the 21st Century: Identity, Influence, and Impact” is sponsored by the Martha Heasley Cox Center for Steinbeck Studies and will take place at the Martin Luther King, Jr. Library in downtown San Jose, California. According to Nick Taylor, the center’s director, proposals for papers are welcome from a wide variety of disciplines, including literary and cultural studies as well as ecology and pedagogy, and may encompass the comparative examination of Steinbeck and 21st century authors, issues surrounding the reception and translation of Steinbeck’s books in the 20th century, and commentary on Steinbeck’s writing from the perspective of movements like #MeToo, Black Lives Matter, and organized resistance to the mistreatment of migrants and refugees in the United States, Europe, and the Middle East. Also of interest is how classroom teachers today use Steinbeck to engage students on social issues, popular culture, and artistic expression. Travel funding is available for students whose papers are accepted. For details visit the conference web page.

As of today’s post we are temporarily suspending weekly posts at SteinbeckNow.com to pursue a print project requiring attention. We will continue to respond to email inquiries, curate comments, and post news about opportunities like this one, and we will review guest-author submissions in the order they are received when we resume weekly publication. Thank you for your understanding and cooperation.—Ed.

Art of the River That Runs Through Steinbeck’s World

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John Steinbeck’s love affairs with women, the fine arts, and the Salinas River valley come together at the 2018 Steinbeck Festival in Salinas, California when the artist and writer Janet Whitchurch talks about Underground and Running North, a new fine art book featuring her images and text. Sponsored by the National Steinbeck Center, “The Women of Steinbeck’s World” runs Friday, May 4 through Sunday, May 6 in Salinas, Monterey, and Pacific Grove and includes daytime lectures and tours, after-hour social events, and an art-feature talk by Whitchurch about the local river that inspired her book—and, like the women in his world, both inspired and frightened John Steinbeck, whose lifelong love affair with fine art and writing was fortunately less ambivalent. Don’t miss out on the variety and fun. Purchase your ticket today.

John Steinbeck Returns to Pacific Grove on February 11

Image of February 11, 2018 Pacific Grove Heritage Society event poster

The Pacific Grove Heritage Society is an appropriate host, and the Pacific Grove Performing Arts Center an appropriate venue, for Pacific Grove author and art expert Steve Hauk to talk about the writing of Steinbeck: The Untold Stories—a collection of 16 short stories inspired by people, places, and incidents from the life of the Nobel Laureate who did much of his writing at the Pacific Grove cottage built by his family more than 100 years ago. Presenting Steve Hauk on John Steinbeck fits the mission of the Heritage Society, to raise public awareness of local history and architecture, and the purpose of the Performing Arts Center, built in 1923 to accommodate concerts and lectures—a popular pastime in Pacific Grove since its founding as a Chautauqua assembly ground in 1875. The annual meeting of the Heritage Society featuring Steve Hauk starts at 2:00 p.m., Sunday, February 11, and is open to the public. The Pacific Grove Performing Arts Center is located on the campus of Pacific Grove Middle School at 835 Forest Avenue. Street parking is free and donations are tax-deductible.

 

2018: Year of the Women in The World of John Steinbeck

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Three sisters. Three wives. Three novels with female characters who are larger than life. Inspired by Ma Joad’s enduring example in The Grapes of Wrath, this year’s Steinbeck Festival will celebrate the women in John Steinbeck’s life and fiction over three days in May, at three venues associated with women Steinbeck cherished or invented. Sponsored by the National Steinbeck Center in Salinas, California, the festival opens on Friday, May 4, and features an afternoon of seminars at Stanford’s Hopkins Marine Center in Pacific Grove—where Steinbeck and his sister Mary studied biology as undergraduates—tours of the nearby “Doc” Ricketts lab where female visitors from Dora Flood’s place were always welcome in Cannery Row, and a full day of speeches and fun in the town where Steinbeck was a born and grew up, a slightly spoiled only son, and Cathy runs her brothel in East of Eden, without Dora’s kindness, Ma Joad’s goodness, or the nurturing instinct of Steinbeck’s mother, sisters, and wives (save one). Speakers include Richard Astro, the author of John Steinbeck and Edward F. Ricketts; Mimi Gladstein, an expert on women in American fiction and the author of a study of Steinbeck’s female characters with the intriguing title “Maiden, Mother Crone”; and Susan Shillinglaw, director of the National Steinbeck Center and author of Carol and John Steinbeck: Portrait of a Marriage. A full schedule of events and information about tickets and logistics can be found on the National Steinbeck Center’s festival page.

December 7 Event Features Steinbeck Program Fellows

Image of Martha Heasley Cox Center at San Jose State University

Three 2017-2018 fellows from the professional creative writing program funded by the founder of the John Steinbeck center at San Jose State University will read from their work and answer audience questions at 7:00 p.m. on December 7, 2017, in Room 590 of the MLK Library on the SJSU campus in downtown San Jose, California. Martha Heasley Cox, the professor-philanthropist who advanced the study and teaching of John Steinbeck by example and exhortation when she was alive, left a large estate gift ensuring the financial security of the program, which supports a select group of writers each year, when she died in 2015. Sunisa Manning will read from the novel she is writing about a group of radicalized students in Thailand during the turbulent 1970s. Dominica Phetteplace will also read from her recent writing, which includes literary and science fiction. C. Kevin Smith, the third fellow who will share insights into his work, is a graduate of the Iowa Writers’ Workshop, the grandfather of graduate creative programs in America. The San Jose State University event is free and open to the public and includes a reception. For further information, contact Nick Taylor, the writer-professor who directs the Steinbeck studies center and the creative writing program that comprise Cox’s extraordinary legacy, at nicholas.taylor@sjsu.edu.