If you like baseball, detective fiction, and John Steinbeck equally, the Center for Literary Arts at San Jose State University has a double treat for you. Nick Taylor, director of the university’s Martha Heasley Cox Center for Steinbeck Studies, will read from Double Switch, his new baseball whodunnit, at a free event sponsored by the Center for Literary Arts in the Martin Luther King, Jr. Library, starting at 7:00 p.m. on September 22. The hero of Double Switch and The Setup Man, both published under the pen name T.T. Monday, is one John Adcock, an aging pitcher for a fictional San Jose team who risks life and career to catch bad guys and solve murders. Father Junipero’s Confessor, Taylor’s last non-pen name novel, was also a California thriller, based on historical events familiar to John Steinbeck, a history-minded baseball buff who wrote about his fondness for the game in an essay for Sports Illustrated.

Center for Literary Arts Teams Up with Steinbeck Studies

Steinbeck admired versatility and advocated collaboration, at least in theory, so it’s likely he’d approve of Taylor’s pen-name persona and protean protagonist. The alliance forged by the Center for Literary Arts and the Steinbeck studies center to further the cause of creative writing at San Jose State University would also please the music-loving author, who married a San Jose native and bought LPs at a downtown record store. Cathleen Miller (left), the nonfiction writer who directs the Center for Literary Arts, explains the fruitful collaboration: “San Jose State University is fortunate to have three established organizations promoting literature on our campus, and they work together to support each other. The Steinbeck Fellows give readings each year at the Center for Literary Arts to benefit the community at large. They also help with another Center for Literary Arts project, our outreach to Mt. Pleasant High School, where the Fellows give talks to students. The Fellows also work with Reed Magazine, the oldest literary journal in the West, founded at San Jose State University in 1867. One of the Fellows also serves as the judge for the magazine’s short story contest, the John Steinbeck Award in Fiction.”

Mexican independence was more than a political movement for John Steinbeck, who traveled frequently to Mexico, studied Mexican history, and once said he wanted to move there to satisfy his curiosity and relieve the monotony of life back in Salinas, California. His novella The Pearl is set in Mexico. So are two films for which he wrote screenplays: The Forgotten Village and Viva Zapata! Sea of Cortez, his and his biologist friend Ed Ricketts’s account of their expedition to Baja, California, is as much about Mexican culture as it is about marine ecology. Steinbeck’s 1935 novel Tortilla Flat, his first commercial success, weaves Mexican characters and cultural traits into the rich tapestry of Monterey, California, a town that in Steinbeck’s time was “Mexican” in the same sense that Salinas was “Anglo.” Writing home from Mexico City in 1935, Steinbeck explained Mexico’s attraction: “It is impossible for me to do much work here. An insatiable curiosity keeps me on the streets or at the windows. Sometime I’ll come back here to live I think.”

Celebrating Mexico in John Steinbeck’s Salinas, California

Mexican independence of spirit drew John Steinbeck and his first wife, Carol, and it called him back repeatedly, usually in times of personal crisis, after their divorce. The Steinbeck expert Susan Shillinglaw—author of Carol and John Steinbeck: Portrait of a Marriage and editor of America and Americans, a Steinbeck anthology—detailed Steinbeck’s lifelong love affair with Mexico in a talk on Friday, September 16, at the National Steinbeck Center in Salinas, California, where she is the director. Timed to coincide with Mexican Independence Day, the event kicked off this year’s Big Read, a cultural-awareness-through-reading project of the National Endowment for the Arts. In the spirit of the day, it included an exhibit of items from the center’s Steinbeck-Mexico collection, Mexican-flavored music and food, and a tour of downtown Salinas, where Mexican-American citizens now comprise a majority of the population.

Following Mexican Independence Day festivities in Salinas, Shillinglaw led a discussion of Sun, Stone, and Shadows: 20 Great Mexican Short Stories—this year’s Big Read selection—for a Saturday afternoon crowd at the Monterey Public Library. Local Steinbeck lovers have a long relationship with Big Read, a national program that in its second year featured The Grapes of Wrath, the subject of On Reading The Grapes of Wrath, a superb reader’s guide written by Shillinglaw at the request of Steinbeck’s paperback publisher to mark the novel’s 75th anniversary. Exhausted by the controversy over The Grapes of Wrath—and the decline of his marriage to Carol—Steinbeck organized the 1940 Sea of Cortez expedition that included Easter in the Mexican town of La Paz, whose name embodies the serenity he was seeking. To Steinbeck, Mexican independence was a state of mind—one that Salinas, California is celebrating in this year’s Big Read series. Check out the National Steinbeck Center website for a schedule of continuing events.

Though Eugene V. Debs is no longer a household name, John Steinbeck’s labor movement novels of the 1930s—In Dubious Battle and  The Grapes of Wrath—were influenced by the words and witness of the progressive politician from Terre Haute, Indiana who ran for President in 1900, 1904, 1908, 1912, and 1920. Debs devoted his career to organizing the fight for better wages and working conditions; Steinbeck appropriated his statement of support for the mistreated, malnourished, and marginalized in society—“While there is a lower class, I am in it; while there is a criminal element, I am of it; and while there is a soul in prison, I am not free”—in the promise Tom Joad makes to his mother in The Grapes of Wrath. Debs uttered his statement in 1918, to the Cleveland, Ohio court that had convicted him of sedition for a speech he gave in Canton, Ohio protesting America’s entry into World War I—a war about which Steinbeck expressed misgivings 25 years later, in East of Eden. Despite repeated defeats during their lifetimes, Debs and Steinbeck remained optimistic about the future of humankind. In his 1962 Nobel acceptance speech, Steinbeck captured Debs’s faith in the possibility—and necessity—of human progress: “I hold that a writer who does not passionately believe in the perfectibility of man, has no dedication nor any membership in literature.”

Eugene V. Debs died in Illinois in 1926, but his memory lives on in the work of the Eugene V. Debs Foundation, located in Terre Haute, Indiana, the city where Debs was born. The not-for-profit organization operates the Eugene V. Debs museum and gives an award each year in Debs’s name to recognize the contributions of outstanding individuals to the cause, much like the John Steinbeck humanitarian award given by the Steinbeck Studies Center in San Jose, California. The 2015 Debs award was made to James Boland, president of the International Union of Bricklayers and Allied Craftworkers, at a banquet in Terre Haute on October 14. Pete Seeger, the labor movement troubadour honored by the John Steinbeck center in 2009, received the Eugene V. Debs award in 1979.

My family and I have been attending Debs award dinners almost that long, and I was pleased to see the Mother Jones Museum represented at this year’s banquet. Mary Harris Jones—a labor movement activist and community organizer in the same era as Eugene V. Debs—was an Irish immigrant, like James Boland and John Steinbeck’s grandparents, Samuel and Eliza Hamilton. Jones was called “the most dangerous woman in America” by critics; like Debs and Steinbeck, she had many, and she was an avid defender of immigrant and worker rights, like Debs and Steinbeck. There is probably no better parallel in modern American literature to the contemporary situation of undocumented workers in the U.S. than Steinbeck’s “Okie” migrants in The Grapes of Wrath. Mother Jones Magazine, a progressive publication, is headquartered in San Francisco, the center of the California labor movement in Steinbeck’s time and the backdrop for Steinbeck’s strike novel, In Dubious Battle.

Since the year the Debs award was given to Pete Seeger, almost every Debs dinner has featured a musician of note on the program. This year’s singer was Dana Lyons, a folk and alternative rock musician from Bellingham, Washington. Many of Dana’s songs concern the environment, but he is most famous for “Cows with Guns,” a hilarious song about another serious subject. John Steinbeck would have appreciated Dana’s sense of humor, as well as the environmental message delivered in the beautiful new music video, “The Great Salish Sea,” which can be viewed at Dana’s website. It sounds the alarm about the effects ship noise and fossil fuels have on the whales of the Salish Sea region in Washington, Oregon, and British Columbia—a region John Steinbeck and his friend Ed Ricketts, early ecologists, knew well.

Another Debs dinner tradition is to have the annual award presented by a prominent proponent of progressive politics. This year’s presentation speaker was Keith Mestrich, president and CEO of Amalgamated Bank, the union-owned bank where Occupy Wall Street kept its funds. Founded in 1923 by the Amalgamated Clothing Workers, the bank practices what Eugene V. Debs preached. Recently it raised the minimum wage it pays its employees to $15 an hour, and it is currently funding an ad campaign on New York subways supporting “ The Fight for $15.” When metro officials pulled the bank’s posters from subway cars because the message was too political, Amalgamated ran an ad on the front cover of the free subway paper, and Amalgamated volunteers began collecting signatures for the #RaiseTheWage petition the bank plans to send Congress.

In his remarks, Jim Boland (shown here speaking on TV) cited the influence of progressive writers on his political education, recalling how he felt as a young Irish immigrant to the United States to learn about Eugene V. Debs, the man he called “the ultimate American socialist.” Boland’s father and grandfather were union railroad workers, like Debs and my Irish grandfather, a political activist and socialist. During his speech, Jim cited two writers—John Dos Passos, John Steinbeck’s American contemporary, and James Connolly, the Irish socialist and patriot who was wounded in the 1916 Easter Uprising, then executed for his role in the Irish revolt against British rule. Before returning to Ireland from the United States in 1910 to fight for Irish independence, Connolly was a member of the International Workers of the World (IWW), the union that Debs helped found and that Steinbeck wrote about in the 1930s.

Unlike James Connolly and Eugene V. Debs, John Steinbeck was never jailed because of his politics. But people do die for their convictions in his novels—Casy in The Grapes of Wrath; the young strike organizer, also named Jim, in Steinbeck’s labor movement novel In Dubious Battle. Unlike Steinbeck, Debs is rarely mentioned in American classrooms today. In fact, the contribution of the entire labor movement to the making of American society is barely touched on in most high school history classes. The corporate media treat labor unions and leaders with suspicion, and politicians love to campaign against both, even in states like Indiana with strong labor movement roots. In Terre Haute, the Eugene V. Debs Foundation is working to counter this negative trend. Visitors are welcome at the Eugene V. Debs Museum, which is located on the campus of Indiana State University in Terre Haute. Tips on traveling to Terre Haute and visiting the museum are available on my travel blog.

If you love Ansel Adams, John Steinbeck, and majestic music, mark your calendar for August 16, when Charles Cramer will perform and exhibit at a free event in Steinbeck Country. Like Adams, the visual poet of Yosemite’s High Sierra who was born in California in 1902 one week before Steinbeck, Cramer is a classically trained pianist who is equally masterful at music and nature photography. Each art form also attracted Steinbeck, a childhood piano student and Episcopal church choirboy who wrote the text for two books of photography, A Russian Journal and America and Americans. The marriage of sound and image being presented by Cramer on August 16 would hold particular appeal for Steinbeck, a lover of Russian music, California landscape, and the art of photography. A piano performance graduate of San Jose State University and the Eastman School of Music, Cramer played for Ansel Adams as a young photography student 30 years ago. Today he teaches photography, publishes his work in books and magazines, and exhibits at multiple venues, including the Ansel Adams Gallery.

The August 16 event will begin at 3:00 p.m. with Cramer performing music including Modest Mussorgsky’s piano suite Pictures at an Exhibition on the concert grand at St. Mark’s Episcopal Church in Santa Clara, a San Jose-area city located midway between Ansel Adams’s hometown of San Francisco and John Steinbeck’s Salinas. The musical program will be followed by a reception and exhibition of Cramer’s distinctive nature photography, including dramatic images (like the one above) of Yosemite’s High Sierra. The title of Mussorgsky’s 1874 masterpiece—and Cramer’s August 16 performance and photography show—couldn’t be more appropriate. Mussorgsky composed Pictures at an Exhibition for piano in memory of the painter Viktor Hartmann. Maurice Ravel’s colorful orchestration, completed in 1922, magnified the visual power of Mussorgsky’s music and would have been familiar to Steinbeck, who collected records and listened to Symphony of Psalms, by Mussorgsky’s fellow-Russian Igor Stravinsky, while writing The Grapes of Wrath. “The Great Gate at Kiev,” the theme music for SteinbeckNow.com videos, can be heard in this audio sample of Charles Cramer’s recording of the complete Pictures at an Exhibition. (Pictures at an Exhibition is also the title of an award-winning novel by Sara Houghteling, a former Steinbeck Fellow at San Jose State University.) Attend the August 16 event at St. Mark’s if you can. John Steinbeck, who grew up singing in an Episcopal church, will be with you in spirit. Click to play:

Photo of Charles  Cramer by G. Dan Mitchell.