Nick Taylor’s Double Switch

Image of Nick Taylor, pen name T.T. Monday

If you like baseball, detective fiction, and John Steinbeck equally, the Center for Literary Arts at San Jose State University has a double treat for you. Nick Taylor, director of the university’s Martha Heasley Cox Center for Steinbeck Studies, will read from Double Switch, his new baseball whodunnit, at a free event sponsored by the Center for Literary Arts in the Martin Luther King, Jr. Library, starting at 7:00 p.m. on September 22. The hero of Double Switch and The Setup Man, both published under the pen name T.T. Monday, is one John Adcock, an aging pitcher for a fictional San Jose team who risks life and career to catch bad guys and solve murders. Father Junipero’s Confessor, Taylor’s last non-pen name novel, was also a California thriller, based on historical events familiar to John Steinbeck, a history-minded baseball buff who wrote about his fondness for the game in an essay for Sports Illustrated.

Center for Literary Arts Teams Up with Steinbeck Studies

Image of Cathleen MillerSteinbeck admired versatility and advocated collaboration, at least in theory, so it’s likely he’d approve of Taylor’s pen-name persona and protean protagonist. The alliance forged by the Center for Literary Arts and the Steinbeck studies center to further the cause of creative writing at San Jose State University would also please the music-loving author, who married a San Jose native and bought LPs at a downtown record store. Cathleen Miller (left), the nonfiction writer who directs the Center for Literary Arts, explains the fruitful collaboration: “San Jose State University is fortunate to have three established organizations promoting literature on our campus, and they work together to support each other. The Steinbeck Fellows give readings each year at the Center for Literary Arts to benefit the community at large. They also help with another Center for Literary Arts project, our outreach to Mt. Pleasant High School, where the Fellows give talks to students. The Fellows also work with Reed Magazine, the oldest literary journal in the West, founded at San Jose State University in 1867. One of the Fellows also serves as the judge for the magazine’s short story contest, the John Steinbeck Award in Fiction.”

Mexican Independence: A State of Mind for Steinbeck

Image of 2016 Mexican Independence Day in neon

Mexican independence was more than a political movement for John Steinbeck, who traveled frequently to Mexico, studied Mexican history, and once said he wanted to move there to satisfy his curiosity and relieve the monotony of life back in Salinas, California. His novella The Pearl is set in Mexico. So are two films for which he wrote screenplays: The Forgotten Village and Viva Zapata! Sea of Cortez, his and his biologist friend Ed Ricketts’s account of their expedition to Baja, California, is as much about Mexican culture as it is about marine ecology. Steinbeck’s 1935 novel Tortilla Flat, his first commercial success, weaves Mexican characters and cultural traits into the rich tapestry of Monterey, California, a town that in Steinbeck’s time was “Mexican” in the same sense that Salinas was “Anglo.” Writing home from Mexico City in 1935, Steinbeck explained Mexico’s attraction: “It is impossible for me to do much work here. An insatiable curiosity keeps me on the streets or at the windows. Sometime I’ll come back here to live I think.”

Celebrating Mexico in John Steinbeck’s Salinas, California

Mexican independence of spirit drew John Steinbeck and his first wife, Carol, and it called him back repeatedly, usually in times of personal crisis, after their divorce. The Steinbeck expert Susan Shillinglaw—author of Carol and John Steinbeck: Portrait of a Marriage and editor of America and Americans, a Steinbeck anthology—detailed Steinbeck’s lifelong love affair with Mexico in a talk on Friday, September 16, at the National Steinbeck Center in Salinas, California, where she is the director. Timed to coincide with Mexican Independence Day, the event kicked off this year’s Big Read, a cultural-awareness-through-reading project of the National Endowment for the Arts. In the spirit of the day, it included an exhibit of items from the center’s Steinbeck-Mexico collection, Mexican-flavored music and food, and a tour of downtown Salinas, where Mexican-American citizens now comprise a majority of the population.

Image of Susan Shillinglaw and John Steinbeck anthology

Following Mexican Independence Day festivities in Salinas, Shillinglaw led a discussion of Sun, Stone, and Shadows: 20 Great Mexican Short Storiesthis year’s Big Read selection—for a Saturday afternoon crowd at the Monterey Public Library. Local Steinbeck lovers have a long relationship with Big Read, a national program that in its second year featured The Grapes of Wrath, the subject of On Reading The Grapes of Wrath, a superb reader’s guide written by Shillinglaw at the request of Steinbeck’s paperback publisher to mark the novel’s 75th anniversary. Exhausted by the controversy over The Grapes of Wrath—and the decline of his marriage to Carol—Steinbeck organized the 1940 Sea of Cortez expedition that included Easter in the Mexican town of La Paz, whose name embodies the serenity he was seeking. To Steinbeck, Mexican independence was a state of mind—one that Salinas, California is celebrating in this year’s Big Read series. Check out the National Steinbeck Center website for a schedule of continuing events.

Steinbeck Event Benefits Cesar Chavez Center

Image of Cesar Chavez

Francisco Jimenez, an award-winning children’s writer and Santa Clara University professor, will receive the John Steinbeck “In the souls of the people” award at a September 28 event benefiting San Jose State University’s Cesar Chavez Community Action Center. The award, which has been given in the past to such writers as Ruby Bridges and Khaled Hosseini, is sponsored by the school’s Martha Heasley Cox Center for Steinbeck Studies. As a boy Jimenez migrated to California from Mexico with his family, whose transient existence he compares to that of the Joads in The Grapes of Wrath. His first book, The Circuit: Stories from the Life of a Migrant Child (1997), won the Americas Award for Children and Young Adults Literature. After receiving his PhD, he joined the faculty of Santa Clara University, his alma mater, where he was CASE/Carnegie Foundation Professor of the Year in 2002. He is an especially sympathetic admirer of Cesar Chavez, the labor and civil rights leader who—with Dolores Huerta, a previous Steinbeck award winner—founded the National Farm Workers Association in 1962. The September 28 benefit, which begins at 7:30 p.m. in San Jose State University’s Student Union Theater, will feature Francisco Jimenez in conversation with Lalo Alcarez, the creator of “La Cucaracha,” the first nationally syndicated political cartoon by a Latino artist in the United States. General admission tickets are $20 and are available from the San Jose State University event center.

Image of Francisco Jimenez award event poster

August 25: John Steinbeck, Ruth Comfort Mitchell Event

Logo image of the Los Gatos art and history museum

Susan Shillinglaw, a leading John Steinbeck scholar and speaker, and Peggy Conaway, an expert on the history of Los Gatos, California, will discuss the conflict between Steinbeck and the Los Gatos writer Ruth Comfort Mitchell, who responded to The Grapes of Wrath in 1940 with a novel of her own, during an August 25 presentation at NUMU in Los Gatos, the town where Steinbeck lived when he wrote his 1939 masterpiece. Shillinglaw is the author or editor of books and articles about John Steinbeck, including On Reading The Grapes of Wrath and America and Americans, a collection of Steinbeck’s essays. Conaway, the former director of the Los Gatos Library, is writing a book about Mitchell, a colorful figure who lived in Los Gatos until her death in 1954. The August 25 program will begin at 7:00 p.m. and is free for NUMU members; non-members pay $10 to visit the lively little art and history museum, where “Mitchell vs. Steinbeck”—an exhibit of documents related to Steinbeck, Mitchell, and the controversy over The Grapes of Wrath—continues through October 13. NUMU is located next to the Los Gatos Library on Main Street near two Los Gatos landmarks: Los Gatos High School, built in 1925, and First Church of Christ, Scientist, where Mitchell—an outspoken Republican who wrote poetry, plays, and fiction and loved dogs—taught Sunday School.

British Broadcast Star Interviews John Steinbeck Historian for BBC Series

Image of BBC Two Broadcaster William Crawley

BBC Two Celebrity Broadcaster William Crawley

John Steinbeck returned repeatedly to his family roots in Northern Ireland, both in his writing and in his travels. His 1952 novel East of Eden is a paean to his grandfather Sam Hamilton, the Scots-Irish immigrant who settled in California’s Salinas Valley in the 19th century. “I Visit Ireland,” a piece for Collier’s magazine in 1953, describes the writer’s feelings about Sam’s country, and the pilgrimage he made there with his wife Elaine, who took the photo of Steinbeck at the Hamilton family grave site that accompanied the article. “Letters to Alicia,” travel dispatches Steinbeck wrote for syndicated publication in 1965-66, details his final journey, which included Galway, Kerry, and Christmas at John Huston’s Irish castle. John Steinbeck loved the idea of Ireland, and the people of Ireland honored him in return, most recently in a TV series being produced for BBC Two about Northern Ireland and America.

John Steinbeck returned repeatedly to his family roots in Northern Ireland. The people of Ireland honored him in return, most recently in a TV series about Northern Ireland and America.

Carol Robles, the Steinbeck historian who was interviewed for the series by the BBC Two broadcaster William Crawley, convinced Jane MacGowan, the series director, that Steinbeck’s family home in Salinas was the perfect place to shoot the segment on Sam Hamilton, John Steinbeck, and the contribution made by Northern Ireland to the character and culture of California. Before coming to Salinas, Crawley and MacGowan’s crew also visited the site of the labor camp near Bakersfield used by Steinbeck as a model in The Grapes of Wrath. Later, B-roll footage was shot at the Hamilton ranch in King City, the setting for much of the action in East of Eden. Other stops along the Northern Irish trail in America filmed for the new BBC Two series, entitled Brave New World—America, include Massachusetts and Florida—states that are also significant in Steinbeck family history—and the Blue Ridge mountains, where the Scots-Irish spirit celebrated in The Grapes of Wrath lives on in speech and song.

Image of Carol Robles and William Crawley

Carol Robles and William Crawley (both at right) on August 11

Coming Soon to BBC Two: Brave New World—America

Robles was impressed by the knowledge about John Steinbeck displayed by Crawley and MacGowan when she was interviewed in the intimate reception room of the Steinbeck House on August 11. Afterwards the crew shot background footage in other parts of the home, and Crawley—an ex-minister and break dancer from Belfast with a PhD in philosophy—stopped by the gift shop to chat with volunteers, photograph furniture, and purchase a Steinbeck biography and a first edition of East of Eden. Robles was also impressed by the BBC Two team’s preparation, efficiency, and ability to adapt to change. When MacGowan first contacted Robles on July 25, two weeks before the shoot, the director readily accepted the suggestion to film at the Steinbeck House rather than at the Hamilton ranch as originally planned. Range fires near Salinas prevented filming on Fremont’s Peak, which Steinbeck climbed as a boy and where he contemplates the Salinas Valley in Travels with Charley. Instead, the time was spent shooting footage of the rich farm land around Salinas that created wealth for the town and conflict for the characters in East of Eden.

Carol Robles was impressed by the knowledge about John Steinbeck displayed by William Crawley and Jane MacGowan when she was interviewed, and by their preparation, efficiency, and ability to adapt to change.

“It’s fortunate I didn’t know how famous William Crawley was until they left,” Robles adds. “If I had I would have been more nervous.” With good reason. Crawley has star power, and his broadcast credits are extensive. They include a variety of weighty subjects that also interested John Steinbeck: Blueprint NI, a series on Northern Ireland’s natural history; William Crawley Meets . . . , a current-affairs talk show; Hearts and Minds, a program about politics in Northern Ireland; More Than Meets the Eye, a BBC Two special about Irish folklore; and An Independent People, a program about Ireland’s Presbyterians, the Hamilton family religion. Brave New World—New Zealand, a four-part BBC Two Northern Ireland series that aired in 2014, became the prototype for the series about America. The 2014 series celebrated the contribution made by Northern Ireland to a British colony that, like the United States, benefited from the presence of Scots-Irish immigrants such Sam Hamilton, the Salinas Valley farmer whose grandson won the 1962 Nobel Prize in Literature.

Photo at Steinbeck House courtesy of Carol Robles

Lindsay Hatton Revisits Cannery Row in New Novel

Cover image of Monterey Bay with author Lindsay Hatton

The main action of Monterey Bay, Lindsay Hatton’s debut novel, takes place in 1940, a big year for John Steinbeck, Ed Ricketts, and Monterey’s Cannery Row, where Hatton’s story is set. Waves churned up by the publication of The Grapes of Wrath in 1939 were swamping Steinbeck, who made his escape to the Sea of Cortez in the spring of 1940 with his friend Ed Ricketts, the marine biologist mythologized by Steinbeck’s 1945 novel Cannery Row. Hatton—who spent summers working at the Monterey Bay Aquarium on modern-day Cannery Row—leverages John Steinbeck’s predicament and Ed Ricketts’s reputation as a lover of women not his wife in her tale of an anti-ingenue’s coming of age among flawed men in an era less sexually prohibitive than our own. Other writers who have fictionalized events involving John Steinbeck, such as Steve Hauk, draw their characters exclusively from real life. Hatton—a resident of Cambridge, Massachusetts—mixes fantasy and reality to create Margot Fiske, a 15-year-old with chops and attitude who takes up with Ed Ricketts and clashes with John Steinbeck. Steinbeck employed a similar technique in his writing after Sea of Cortez (1941), notably Cannery Row and East of Eden. Readers didn’t seem to mind then, and they probably won’t now. Read a full review to learn more about Lindsay Hatton and Monterey Bay.

Nancy Hauk, Popular Pacific Grove Visual Artist, Mourned

Image of Nancy Hauk, Pacific Grove visual artist

Nancy Hauk, the popular Pacific Grove, California visual artist for whom the Pacific Grove Library’s art gallery is named, died on July 22 after a long illness. With her husband Steve Hauk, the author of short stories based on true events from the life of John Steinbeck, she owned and operated Hauk Fine Arts, the art gallery located near Holman’s department store, a Pacific Grove landmark celebrated in John Steinbeck’s fiction. She grew up in St. Louis, Missouri, and graduated with a degree in art history from Connecticut College before moving to Pacific Grove with her husband in the 1960s. Her watercolors—painted at home in California and on trips to France—were featured last year in a well-attended exhibition at the Pacific Grove Library, where John Steinbeck’s wife Carol is thought to have worked when the couple lived in Pacific Grove in the 1930s. Hauk Fine Arts specializes in the work of California artists from John Steinbeck’s era and is located near other local landmarks familiar to Steinbeck fans. These include the Steinbeck family cottage on 11th Street and the former home of Steinbeck’s friend Ed Ricketts, where the Hauks lived until Nancy moved to The Cottages, the Carmel assisted-living apartments where she died peacefully, surrounded by her husband with daughters Amy and Anne and mourned by friends and fans everywhere.

John Steinbeck in Los Gatos: The Progressive Politics Behind The Grapes of Wrath

Image of Charles Erskine Scott Wood

Charles Erskine Scott Wood

Recently an enterprising Italian high school teacher named Enzo Sardarello blogged about John Steinbeck’s Los Gatos neighbor Charles Erskine Scott Wood, a Whitmanesque author and painter and an energetic advocate for progressive politics during the era leading up to the writing of The Grapes of Wrath. Before studying law in the East, Wood served as an infantry officer in the Nez Perce Indian war of 1877; as a defense attorney in Oregon and guru of progressive politics in Los Gatos he opposed U.S. imperialism, advocated for Indian rights, and espoused birth control, free thinking, and free love. Between 1925 and 1944, his powerful personality and Los Gatos home attracted a host of artists, writers, and celebrities, including Charlie Chaplin, Ansel Adams, and John Steinbeck. Sardarello’s post about this chapter in Steinbeck’s life is a reminder that international interest in The Grapes of Wrath—written in Los Gatos during the time Steinbeck knew Wood—continues today, and that Steinbeck had more congenial neighbors in Los Gatos when he lived there than Ruth Comfort Mitchell, the Republican novelist whose reactionary response to The Grapes of Wrath is the subject of a summer exhibit at the Los Gatos history museum.

John Steinbeck House in Salinas, California Receives Award from Trip Advisor Site

Image of Steinbeck House photo by David Laws

Photo of Steinbeck House by David Laws

John Steinbeck won literary honors during his lifetime, including a Nobel Prize. Now the house where he was born and reared in Salinas, California has received a high accolade from TripAdvisor.com, one of the hospitality industry’s most heavily used consumer websites. People who visited the Steinbeck House restaurant and gift shop during the past 12 months rated their experience as “excellent” or “very good” frequently enough to earn Trip Advisor’s Certificate of Excellence for the thriving Salinas venue. John Steinbeck, who could be critical of business in his writing, would be gratified. Education and enjoyment, not money, motivated members of the Valley Guild to buy the Steinbeck home, restore it, and operate an intimate restaurant, staffed by a professional chef and volunteers servers, where answers to questions about Steinbeck come with the meal. Toni Bernardi, president of the nonprofit organization, explains: “We appreciate our guests and we all strive to honor the memory of John Steinbeck’s life and work.” Today honoring John Steinbeck turns out to be a good way to pay the bills—and garner praise from the hospitality industry—in Salinas, California.

Los Gatos History Museum Replays Republican Party’s Fight with John Steinbeck Over The Grapes of Wrath

los-gatos-history-museum

Image of Ruth Comfort Mitchell

Ruth Comfort Mitchell

Sometimes fences don’t make good neighbors. Take, for example, the town of Los Gatos, California, where John Steinbeck lived while writing The Grapes of Wrath. Ruth Comfort Mitchell, a California Republican Party stalwart and longtime Los Gatos resident, made speeches against Steinbeck and rebutted his book with her own novel, Of Human Kindness, a whitewash of California agricultural practices in 1940. The wife of a Republican Party official who served in the state senate, Mitchell was a conservative advocate and author with a following, but she wrote her novel in a hurry, and her defense of Republican Party business values failed to win hearts and minds outside California. First Lady Eleanor Roosevelt rode to Steinbeck’s defense, The Grapes of Wrath became a bestseller, and Mitchell’s book was largely forgotten—until now. NUMU, the art and history museum in downtown Los Gatos, recently revived the partisan war of words waged by Mitchell against Steinbeck 75 years ago in an exhibit of books, photos, and documents organized by Amy Long, curator of history. “Mitchell vs. Steinbeck” runs through October 13. Visit the NUMU website  for hours of operation and directions to the Los Gatos Civic Center, located on Main Street across from Los Gatos High School, a 1925 landmark familiar to Steinbeck and his un-neighborly antagonist.