Critics, Craft Beer, and Fans Toast John Steinbeck in San Jose and Salinas, California

Image of John Steinbeck beer served in Salinas, California

“There is nothing like the first taste of beer” (John Steinbeck)

Literary critics and conferences gave John Steinbeck a pain, but he liked beer and enjoyed parties, so it’s easy to imagine him making an exception for the literary conference and the festival held in his name earlier this month in San Jose and Salinas, California. Each event was scheduled with the other in mind, and the planning paid off: star Steinbeck scholars appeared at both, attendance was up from previous years, and Sea of Cortez got the attention it deserved on its 75th anniversary (several experts said it was their second favorite book by Steinbeck). The May 4-6 John Steinbeck conference at San Jose State University attracted scholars, students, and fans from as far away as Israel and Japan and featured keynote addresses by Steinbeck stars who flew in from points east and midwest for the conference, and for the May 6-8 Steinbeck Festival in Salinas. During the opening address in San Jose, Richard Astro recalled his experience as a visiting professor during early Solidarity days in Poland, where Steinbeck was remembered for providing words of comfort to Warsaw after John Kennedy was killed, and where the author of The Grapes of Wrath remains more popular than his contemporaries (“John Steinbeck is more international than Faulkner, Hemingway, or Fitzgerald by far”). The next day, Robert DeMott described his experience of discovery in the 1970s and 1980s exploring the untapped “archival biography” he found in various Steinbeck collections around the U.S. His 1989 edition of the double journal Steinbeck kept while writing The Grapes of Wrath has become a classic, adding to our understanding of Steinbeck and complementing the epistolary journal published in 1969 in connection with East of Eden (“John Steinbeck’s great subject was family”).

Image of John Steinbeck scholar Gavin Jones

Gavin Jones

Something for Every Taste at Steinbeck Festival in Salinas

The morning after his talk to followers at the San Jose conference, DeMott fanned the flame of Steinbeck worship for attendees of the 35th Steinbeck Festival, hosted by the National Steinbeck Center in Salinas, California. The Salinas organization is under new management, and it showed in the festival’s quality, energy, and diversity. Susan Shillinglaw, the new director, is an entrepreneurial scholar and impresario who shares Steinbeck’s love of travel (Sea of Cortez; Tibilisi, Georgia) and liquid refreshment (festival craft beer courtesy of the Salinas Steinbeck Rotary Club). Adding fuel to the spark set by DeMott was a pair of inspired speakers with a new approach to the subject of John Steinbeck. William Souder, the Minnesota journalist who has written brilliant biographies of John James Audubon and Rachel Carson, told his listeners how and why he chose to write a new life of John Steinbeck that focuses on global themes like ecology and social justice. Gavin Jones also views Steinbeck through a large lens, and he explained the book he is writing, one with the working title “Race, Species, Planet: Steinbeck and the Western World.” A native of the Welsh-English border country explored by Steinbeck in his search for King Arthur, Jones is a Stanford University professor with a capacious vocabulary and a novel perspective on Steinbeck as a writer of “anthropocene fiction,” in which human behavior affects and is influenced by drought, flood, and other portents of climate change. Heavy going for a Friday in May perhaps, but the crowd in Salinas didn’t flag. Like Steinbeck after writing nonstop or collecting specimens on the Sea of Cortez, they knew a beer was waiting in the cooler the next day.

Photo of John Steinbeck beer by Eric Mora, National Steinbeck Center.

John Steinbeck Returns to American Literature Lineup (And to San Francisco)

Image of early editions of American writers

Following an absence of four years, John Steinbeck will return to the annual program of the American Literature Association when the organization holds its May 26-29, 2016 conference in San Francisco, the city where Steinbeck spent time as a Stanford student and struggling writer. A coalition of academic societies devoted to American writers from the 18th century to the present, the American Literature Association—like Steinbeck—began in California. It was founded in San Diego, the site of the most recent conference that featured Steinbeck, and its membership includes societies devoted to American writers—Raymond Carver, Percival Everett, Robinson Jeffers, Jack Kerouac, Sinclair Lewis, Jack London, Frank Norris, William Saroyan, Wallace Stegner, Gertrude Stein, John Steinbeck, Mark Twain, Thornton Wilder—with a California connection. “Steinbeck in Salinas and Abroad,” the subject of the May 26 panel organized by the International Society of Steinbeck Scholars, will focus on historical, ethnic, and ethical aspects of Steinbeck’s life and writing. Register at the American Literature Association conference website.

International Relations Explored at John Steinbeck Conference in San Jose

Cover image from Dutch edition of John Steinbeck's The Grapes of Wrath

Steinbeck lovers from all over convene this Wednesday at San Jose State University’s Martin Luther King, Jr. Library, where Steinbeck experts will probe literary influences, international relations, and various cultural collisions found in the author’s controversial writing and reputation. Speakers for the May 4-6 conference, hosted by the International Society of Steinbeck Scholars, include Robert DeMott and Susan Shillinglaw—former directors of the Martha Heasley Cox Center for Steinbeck Studies at San Jose State and authors of major books on Steinbeck’s life and work—as well Richard Astro, a pioneer in the study of Steinbeck’s friend and collaborator Ed Ricketts; Mimi Gladstein, a Texas theater and English professor who writes about Steinbeck’s depiction of women; and Paul Douglass, an expert on modern literature and philosophy at San Jose State who served as the Steinbeck Center’s director from 2005 to 2013. The conference organizers—led by Nick Taylor, the center’s current director, and Barbara Heavilin, the editor of Steinbeck Review—are prepared for sparks to fly and made plans accordingly. When the conference closes on Friday, attendees will have the option of boarding a bus for Salinas, 90 minutes south of San Jose, where they can decompress by enjoying the 2016 Steinbeck Festival, “Steinbeck on Land and Sea.”

john-steinbeck-san-jose-conference-1john-steinbeck-san-jose-conference-2john-steinbeck-san-jose-conference-3john-steinbeck-san-jose-conference-4john-steinbeck-san-jose-conference-5john-steinbeck-san-jose-conference-6john-steinbeck-san-jose-conference-7john-steinbeck-san-jose-conference-8

$4.8 Million Gift to John Steinbeck Center Reported By San Jose Mercury News

Image of the Martha Heasley Cox Center for John Steinbeck Studies

The April 20, 2016 San Jose Mercury News reports a record-breaking gift to San Jose State University by Martha Heasley Cox, a retired English professor with a love for John Steinbeck. In 1955—the year East of Eden became a movie—Cox arrived in San Jose from Arkansas with a new PhD to work at San Jose State, where she taught courses and organized conferences devoted to Steinbeck, wrote best-selling college textbooks, and invested the proceeds to support her passion for Steinbeck and her university. Her collection of books by and about Steinbeck became the core of the school’s Steinbeck Studies Center, the oldest academic enterprise devoted to the author in America, and she provided start-up funding for the organization, which was named in her honor. According to the San Jose Mercury News story, $3.1 million of Cox’s posthumous gift will fund the center’s Steinbeck Fellows program for young writers, and $1 million will augment the endowment of a lecture series, also bearing her name, that brings major authors—including Norman Mailer, Toni Morrison, and Andre Dubus III—to the San Jose State University campus each year. The balance of Cox’s bequest will support an online database of Steinbeck materials. As noted by the Mercury News, her gift is the largest made by a faculty member in the school’s history.

Sea of Cortez at 75: Salinas, California Celebrates John Steinbeck on Land and Sea

Cover image from 1941 Sea of Cortez by John Steinbeck and Ed Ricketts

The annual Steinbeck Festival held in John Steinbeck’s hometown of Salinas, California is back. In celebration of Steinbeck’s enduring legacy as a writer-activist-ecologist, and the land-and-sea ethic exemplified in his 1941 work Sea of Cortez, the May 6-8, 2016 festival—“Steinbeck on Land and Sea”—features activities designed for a variety of tastes, including informal “JON talks,” documentary films, and tours of the Red Pony Ranch, Ed Ricketts’s lab, and Steinbeck’s Salinas. Whale-watching off the Monterey coast is also part of the mix.

Image of the 2016 John Steinbeck Festival in Salinas, California

Image of the 2016 John Steinbeck Festival in Salinas, California

Guest speakers exemplify the festival’s land-and-sea theme from a diversity of backgrounds and perspectives. They include the distinguished Steinbeck scholar Robert DeMott talking about a favorite subject, Steinbeck and fishing; William Souder, the critically acclaimed biographer of Rachel Carson and John James Audubon, introducing his biography-in-progress of John Steinbeck; Katie Rodger, an expert on Ed Ricketts, discussing a newly published essay by Steinbeck’s close friend and collaborator; Kyle Van Houtan, Director of Science at the Monterey Bay Aquarium, on the land-and-sea-and-culture link found in studying sea turtle populations in Hawaii; Gavin Jones, chair of the English department at Stanford University, on Steinbeck, land, drought, and race; and the writer Mary Ellen Hannibal talking about her new book on citizen science and its connections to Steinbeck, Ricketts, and their acquaintance Joseph Campbell.

Image of John Steinbeck's Sea of Cortez collaborator Ed Ricketts

The multicultural character of this year’s festival line-up matches the population of Salinas, California—and a pattern in John Steinbeck’s life and work, including Sea of Cortez. The author Sergio Chavez, the photographer Daniel Ruanova, and the documentary filmmaker Ignacio Rodriguez will discuss the cultural impact of braceros in the Salinas Valley, Jean Vengua will talk about Fillipino newspapers, and Eric Palmer will show a “teaser” of his new documentary film about Japanese flower growers in the area. John Gregg, owner of the boat Steinbeck and Ricketts sailed to the Sea of Cortez in 1940, will update festival-goers about restoration work on The Western Flyer. Harold Augenbraum, former Director of the National Book Award, will discuss Steinbeck’s frequently-taught novel The Pearl in English and Spanish. Stanford biology professor William Gilly will recount his 2004 trip retracing Steinbeck and Ricketts’s expedition to Baja, and how the Sea of Cortez has changed since Steinbeck and Ricketts made their voyage and wrote their book.

Image of The Western Flyer

Beer was consumed on The Western Flyer, and Steinbeck once appeared in a magazine ad for Ballantine Ale. This connection to Steinbeck’s life on land and sea will be celebrated in Steinbeck Home Brew Fest, staged in the National Steinbeck Center’s beer garden in collaboration with the Steinbeck Rotary Club, and in “Craft Beer 101,” one of several half-hour “JON talks” planned for this year’s festival. In a related tribute to California’s land-and-sea culture, David Dennis of Ventana Surfboards will show how he makes surfboards from Steinbeck-themed wood.

One-day and three-day tickets can be purchased online at the National Steinbeck Center website or by calling 831-775-4721.

A John Steinbeck Waterfront Park in Sag Harbor’s Future?

Image of Sag Harbor sign

John Steinbeck liked Sag Harbor, the Long Island fishing village where he lived and wrote The Winter of Our Discontent, his last novel. He even set the story in Sag Harbor, which in Steinbeck’s time was still the kind of place—like Salinas, his home town—where neighbors stayed on speaking terms and the day’s news could be heard at the downtown coffee shop Steinbeck frequented when he finished his morning writing. Last week the East End Beacon, a Sag Harbor area paper, reported on plans to build a waterfront park named for the writer on property the town is considering condemning. Ed Hollander, the landscape architect hired to propose public use for the land when acquired, “envisions a literary trail, perhaps in collaboration with Sag Harbor’s John Jermain Memorial Library, which would include references to Steinbeck’s work.” In his writing Steinbeck worried aloud about over-development and ecology. So does Sag Harbor’s mayor, Sandra Schroeder. “The village does not need or want more condominiums,” she said. “What we want and need is a transformative park plan that will build on our maritime heritage and protect it for our children, their children, and their children’s children into the future.” Letters of support are welcome.

Always Something to Do in Salinas: 2016 John Steinbeck Festival Celebrates Main Street and Sea of Cortez

Image of the National Steinbeck Center in Salinas, California

The National Steinbeck Center will celebrate John Steinbeck’s life, time, and work May 6, 7, and 8 in Salinas, California, the writer’s home town. The 2016 John Steinbeck Festival—“From Salinas to Sea of Cortez: Steinbeck on Land and Sea”—boasts an all-star lineup (the Steinbeck scholar, poet, and fisherman Robert DeMott; Steinbeck’s biographer William Souder; Susan Shillinglaw, the Steinbeck center’s executive director) and a variety of topics, including Steinbeck’s 1940 voyage to the Sea of Cortez, Latino culture and writing in California, and the living heritage of Main Street Salinas. Says Shillinglaw, “There’s ‘always something to do in Salinas,’ as Steinbeck wryly noted in an essay by the same name, and there’s much that is ‘festive’ in the 2016 festival, with Steinbeck Rotary sponsoring Main Street’s first ‘Steinbeck’s Home Brew Fest’ and a beer garden on the NSC patio. In his 1955 essay, Steinbeck noted that the town’s motto was ‘Salinas is,’ adding, ‘I don’t know what that means, but there is no doubt of its compelling tone.’”

Some Walls Are Built as Bridges: San Jose State University Celebrates John Steinbeck and Civil Rights

Image of John Steinbeck award wall at San Jose State University

Some walls separate. Others connect. Admirers at San Jose State University have built a handsome wall to commemorate John Steinbeck’s enduring connection with social justice and civil rights, a tie that is celebrated in the John Steinbeck “In the souls of people” Award, given 15 times since 1996 to artists, actors, writers, and activists whose work involves social change. The award ceremony is always a happy occasion, and the February 24 event honoring civil rights leader Ruby Bridges, the brave little schoolgirl described in Travels with Charley, was no exception.

The John Steinbeck award ceremony is always a happy occasion, and the February 24 event honoring Ruby Bridges, the brave little schoolgirl described in Travels with Charley, was no exception.

The Steinbeck award commemorative wall was created by the San Jose University Student Union and is located in the busy student activity building where most award events are held. Explains Nick Taylor, director of the Martha Heasley Cox Center for Steinbeck Studies at San Jose State University, “The wall consists of a series of disks tracing the timeline of the Steinbeck Award, with background on the rationale for each selection and a few details about each ceremony.” The California civil rights leader Dolores Huerta, an advocate for farm workers’ rights, is a past recipient. Bruce Springsteen received the first award in 1996.

Image of February 24, 2016 John Steinbeck award event announcement

Jim Kent, a member of the John Steinbeck center’s advisory board, traveled to San Jose from Denver for the February 24 event. “As a fan of Travels with Charley,” he said, “I was thrilled to meet the young lady Steinbeck observed as she braved white hecklers during the integration of the New Orleans elementary school where she was the first black student, back in 1960.” A social ecologist who uses Steinbeck in his work empowering citizens to control their own environments, Kent was helping to write federal legislation for Lyndon Johnson’s War on Poverty when the Civil Rights Act of 1965—which owed much to writers like John Steinbeck—passed Congress. “Ruby Bridges was the perfect choice for this year’s award,” he added. “Like Steinbeck, she is a master storyteller. She attracted a capacity crowd made up of all ages and races, and her elegance inspired five standing ovations. There’s clearly a hunger for continued engagement with civil rights in our time. This was proof.”

Santa Clara, California Drops The Ball on John Steinbeck And Dorothea Lange

Composite image of John Steinbeck's portrait and Dorothea Lange's "Migrant Mother"

John Steinbeck knew Dorothea Lange, the iconic Depression-Era photographer who documented the plight of itinerant farm workers like Steinbeck’s Joads, and Lange’s images illustrated the cover of Their Blood Is Strong, the collection of columns Steinbeck wrote about migrants in the run-up to The Grapes of Wrath. Eighty years later, Lange and Steinbeck have come together again in an unlikely place—the art collection on display at Levi’s Stadium, the $1 billion facility built recently in Santa Clara, California for the San Francisco 49ers football team. The irony of exhibiting Steinbeck’s portrait and Lange’s “Migrant Mothers” on the walls of a publicly subsidized sports palace seems lost upon the team’s owners and Santa Clara’s mayor, who resigned on February 9, hours after the 2016 Super Bowl was played at Levi’s Stadium.

Image of Levi's Stadium in Santa Clara, California

The journalist Gabriel Thompson, a Steinbeck Fellow at San Jose State University, writes eloquently about the history of community organizing, and about today’s low-wage economy. An email he sent last week noted the jarring juxtaposition of Steinbeck and Lange with big-money sports on the walls of Levi’s Stadium, and it provided a link to the investigative piece he wrote for Slate about working as a food server during the Super Bowl. “The portrait hangs directly across from the office of the food service contractor that operates at Levi’s,” he said, adding that Lange’s “Migrant Mother” (originally titled “Pea Pickers”) is also on display. He included a link to a stadium PR story that makes this pitch for buying a box seat:

Gather 19 of your closest friends and rent a suite that gives you and your crew premium parking right next to the stadium, entry to Michael Mina’s Tailgate, upscale catering with an in-suite food and beverage credit, and access to the Trophy Club, where you’ll receive a complimentary glass of champagne and appetizers upon arrival. The suites are outfitted with comfy leather theater-style seats, Internet access and plenty of flat screen monitors to ensure you don’t miss any of the action. Prices vary by game but expect to shell out between $20,000 and $40,000 for the ultimate in VIP hospitality.

Image of Mission Santa Clara in Santa Clara, California

John Steinbeck, a critic of conspicuous consumption, celebrated common men and women in his writing. During college he worked for the Spreckels sugar company, which operated ranches in the rich agricultural area between King City and Santa Clara, California, south of San Francisco. Later, Santa Clara’s fragrant orchards gave way to development; today the city of 110,000 is home to tech giants including Intel, along with Santa Clara University, where a center for business ethics fronts a quiet entrance plaza anchored by the Mission Santa Clara church. Levi’s Stadium is across town, on land provided by the city not far from Intel and Mission College, a public institution. A local referendum to stop the San Francisco 49ers project failed, following a massive media and mail campaign and heavy lobbying by city leaders. According to news sources, controversy surrounding lost soccer fields—and suspicious side deals—continues to dog Santa Clara officials who went to bat for the project.

Image of Ma and Tom Joad from The Grapes of Wrath

Steinbeck would recognize the present problem with Santa Clara. He wasn’t much of a sports fan, or civic booster, and his father became treasurer of Monterey County after the incumbent embezzled public funds. Today, Santa Clara residents are scratching their heads over the sudden resignation of their mayor, a former code-enforcement officer—an act, according to San Jose Mercury News columnist Scott Herhold, that disqualifies the ex-mayor from further office, “including secretary of his homeowners’ association.” According to the paper, the three women on the seven-member Santa Clara city council are asking hard questions about Levi’s Stadium, and the Hispanic city manager is complaining about racial discrimination.

Photographic image of John Steinbeck at work

Steinbeck would also recognize the unintentional irony—and the awful syntax—in another assertion, pulled from the PR piece quoted earlier, about the costly amenities at Levi’s Stadium:

Being that this stadium is located in the most-cultured half of California, an emphasis on art is a given. Spread throughout the elite Citrix Owners Club, the Brocade Club, BNY Mellon Club East and West and SAP Tower of suites, this collection, curated by Sports and The Arts specifically for Levi’s Stadium, is comprised of over 200 pieces of original artwork and 500 photographs that celebrate the history of the San Francisco 49ers as well as California’s stunning landscape. You’ll find charcoal sketches of notable figures such as John Steinbeck and Jack Kerouac as well as timeless psychedelics of the storied Fillmore made famous by Bill Graham. However, the portraits stadium-goers still pose next to the most are those of Joe Montana throwing to Jerry Rice and current quarterback Colin Kaepernick on the run.

Image of Mission Santa Clara sign in Santa Clara, California

When the city of Salinas wanted to name a school or library for John Steinbeck, he suggested choosing a bowling alley (or whorehouse) instead. For followers of the Levi’s Stadium story from Salinas and Monterey, there’s an upside to Santa Clara’s cluelessness about Steinbeck: Cannery Row may be tacky, and the National Steinbeck Center needs money, but neither place violates the spirit of John Steinbeck and Dorothea Lange like the San Francisco 49ers’ opulent new home in Santa Clara, California, where Steinbeck and Lange hang within view of noshing VIPs, high above ordinary football fans who can’t afford a five-figure seat.

Photo of Levi’s Stadium in Santa Clara, California by Michael Fiola (Reuters).

Ruby Bridges to Receive Steinbeck Award at San Jose State University, February 24

Image of Ruby Bridges

Near the end of Travels with Charley, John Steinbeck celebrates the inspiring courage of Ruby Bridges, the six-year-old schoolgirl who advanced the cause of civil rights by breaking the Southern segregation barrier at a New Orleans elementary school 56 years ago. San Jose State University will honor Bridges’s lasting contribution to civil rights on February 24 by conferring the Steinbeck “In the souls of the people” Award—a program of the school’s Martha Heasley Cox Center for Steinbeck Studies—on the 61-year-old author, activist, and advocate, who has been called the first foot soldier in the modern civil rights movement.

Image of Ruby Bridges in New Orleans, 1960

Steinbeck wrote Travels with Charley in sadness, and occasional shock, at the state of America in 1960, when he was 58, and he chose the South as the last stop on his journey of rediscovery and reconciliation because he recognized racism and civil rights as the fundamental conflict to be resolved if the country he loved was to survive. Watching grown white women curse the diminutive black girl entering William Frantz Elementary School in New Orleans turned his stomach, as it did Americans reading newspaper accounts of the widely reported event. Though Ruby Bridges isn’t identified by name, Travels with Charley captures her image, braving the kind of mob Steinbeck depicted better than anyone, like a contemporary news photograph:

The big marshals stood her on the curb and a jangle of jeering shrieks went up from behind the barricades. The little girl did not look at the howling crowd but from the side the whites of her eyes showed like those of a frightened fawn. The men turned her around like a doll, and then the strange procession moved up the broad walk toward the school, and the child was even more a mite because the men were so big. Then the girl made a curious hop, and I think I know what it was. I think in her whole life she had not gone ten steps without skipping, but now in the middle of her first skip the weight bore her down and her little round feet took measured, reluctant steps between the tall guards. Slowly they climbed the steps and entered the school.

Image of John Steinbeck

Thanks in part to Travels with Charley, Ruby Bridges became an icon of civil rights for succeeding generations—a platform she has used brilliantly as a writer and speaker to advance the values of tolerance, understanding, and equality embraced by Steinbeck in his time. “John Steinbeck expressed concern over an injustice and wrote sympathetically of me when I was a young girl,” she explains. “In a way, we’ve come full circle. I now get to honor him by receiving an award bearing his name. I’m so proud to be part of this.”

Ruby Bridges will speak and accept the Steinbeck Award a public event—“An Evening with Ruby Bridges”—beginning at 7:30 p.m. on February 24 in San Jose State University’s Student Union Theater on the school’s downtown San Jose, California campus. Tickets are available at the Event Center Box Office (408-924-6333) or at Ticketmaster.com.